From the studio that gave us The Three Stooges.

Routine programmer with Twelvetrees as ambitious singer from Panama...

Gene Raymond and Fay Wray in Ann Carver's Profession (1933)

Nancy Carroll and John Boles in Child of Manhattan (1933)

Evalyn Knapp and Lee Tracy in The Night Mayor (1932)

Lloyd Corrigan, Michael Duane, Trudy Marshall, and Gigi Perreau in Alias Mr. Twilight (1946)

Harriet Nelson and Chester Morris in Canal Zone (1942)

Mae Clarke, Kit Guard, Bradley Page, and Harry Strang in The Final Edition (1932)

Carole Lombard and Pat O'Brien in Virtue (1932)

Herbert Marshall, Joel McCrea, and Gail Russell in The Unseen (1945)

Walter Byron, Mary Carlisle, Wallace Ford, Albert S. Rogell, and Dorothy Tree in East of Fifth Avenue (1933)

Johnny Mack Brown, Clyde Cook, and Sally O'Neil in Jazz Heaven (1929)

Billie Dove in One Night at Susie's (1930)

Victor Jory and Helen Twelvetrees in My Woman (1933)

Wallace Ford and Helen Twelvetrees in My Woman (1933)

Helen Twelvetrees

Victor Jory

Wallace Ford

Brian Marlow

Spirited singer and dancer Connie (Helen Twelvetrees) charms a radio station executive, John Bradley (Victor Jory), when he spots her performing in a Panama nightclub. Connie hits it off with John and visits him in New York City. ...

Victor Schertzinger

My Woman

Watch this and you&apos;ll be happy.

This is wonderful! OK, I&apos;ll re-phrase that: for this type of film it&apos;s wonderful, possibly even perfect. If you like a well acted, cleverly written 1930s light romantic drama that&apos;s not slushy, you&apos;ll love this.

Why you&apos;ll enjoy this is because the characters are so likeable and believable. You can&apos;t help yourself instantly being drawn into their story. Helen Twelvetrees is like a female equivalent to William Powell inasmuch that she&apos;s the nicest person in the world! She&apos;s not just a pretty face, not just the adorable &apos;girl next door&apos; type but she seems just so darned nice - but not is a mushy, simpering, staring wistfully into the distance sort of way. She&apos;s normal, someone you could be friends with.

Wallace Ford in this is also someone you&apos;d like to go on holiday with. Although he&apos;s a bit of a rubbish husband, a lazy so and so and as the film progresses really quite obnoxious, you still just can&apos;t help liking him. Even Victor Jory, &apos;the other man&apos; could be your best mate! It&apos;s that likeability factor which makes this so engrossing.

The story comes from the same mould as A STAR IS BORN - a happily married couple discovering different paths, discovering they want different things out of life. The acting, the direction and the overall look is a grade above what you&apos;d normally expect from Columbia. This is very classy. Unlike a lot of early thirties pictures (especially with Helen Twelvetrees) which are horribly sentimental, this tells the story of a rocky marriage honestly but without ever getting too heavy. It&apos;s also SO 1930s!

This is wonderful! OK, I'll re-phrase that: for this type of film it's wonderful, possibly even perfect. If you like a well acted, cleverly written 1930s light romantic drama that's not slushy, you'll love this.

Why you'll enjoy this is because the characters are so likeable and believable. You can't help yourself instantly being drawn into their story. Helen Twelvetrees is like a female equivalent to William Powell inasmuch that she's the nicest person in the world! She's not just a pretty face, not just the adorable 'girl next door' type but she seems just so darned nice - but not is a mushy, simpering, staring wistfully into the distance sort of way. She's normal, someone you could be friends with.

Wallace Ford in this is also someone you'd like to go on holiday with. Although he's a bit of a rubbish husband, a lazy so and so and as the film progresses really quite obnoxious, you still just can't help liking him. Even Victor Jory, 'the other man' could be your best mate! It's that likeability factor which makes this so engrossing.

The story comes from the same mould as A STAR IS BORN - a happily married couple discovering different paths, discovering they want different things out of life. The acting, the direction and the overall look is a grade above what you'd normally expect from Columbia. This is very classy. Unlike a lot of early thirties pictures (especially with Helen Twelvetrees) which are horribly sentimental, this tells the story of a rocky marriage honestly but without ever getting too heavy. It's also SO 1930s!

Spirited singer and dancer Connie (Helen Twelvetrees) charms a radio station executive, John Bradley (Victor Jory), when he spots her performing in a Panama nightclub. Connie hits it off with John and visits him in New York City. However, what she really wants is a gig for Chick ...

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My Woman

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