A neat idea...but indifferently executed.

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Lionel Barrymore, James Bush, and Helen Mack in The Return of Peter Grimm (1935)

Sleep... sleep. I wish you the pleasantest dreams a little boy can have... in this world.

Lionel Barrymore, George P. Breakston, and Edward Ellis in The Return of Peter Grimm (1935)

Lionel Barrymore and Helen Mack in The Return of Peter Grimm (1935)

James Bush and Helen Mack in The Return of Peter Grimm (1935)

Lionel Barrymore

Helen Mack

Edward Ellis

David Belasco

Francis Edward Faragoh

The ghost of a recently deceased family patriarch tries to help his surviving relatives, in part by preventing a marriage that he knows will go wrong.

George Nicholls Jr.

Victor Schertzinger

The Return of Peter Grimm

Entertaining and Funny-With Some Great Individual Performances

&quot;The Return of Peter Grimm&quot; (1935) is a remake of a 1926 silent of the same name; which itself was a adaptation of David Belascoe&apos;s play. Lionel Barrymore plays the title character, a wealthy uncle whose relatives live with him on his estate. Helen Mack plays his ward Catherine and George Breakston his young nephew William. Peter and William are not in good health and their doctor (Edward Ellis) is a constant presence in the house. 

The main villain of the piece is older nephew Frederik (Allen Vincent) who is responsible for the suicide of William&apos;s mother and is plotting to marry Catherine and sell the estate they will jointly inherit. Vincent is appropriately slimy in this role and they somehow manage to subtly convey this the instant he first appears on the screen (you just sense it). These older films are often a surprising showcase of acting and directing talent.

Peter favored this marriage when he was alive, and encouraged Catherine to reject the man she really loves. But upon his death he realizes his mistake and returns as a ghost hoping to set things right.

The ghostly effects are of course quite dated but rather interesting. It appears that the scenes with Peter&apos;s ghost were shot in a normal fashion and then altered in post-production. A blur was glued to the side of the negative in which Peter is positioned, it is way too extreme and renders Barrymore&apos;s acting for the camera ability irrelevant; he can only convey his character&apos;s emotions with his voice during this sequences. And although they try to stage the scenes in such a way that the other actors (playing live characters) are not obscured, there are several times when they walk right into the blurred area. 

Barrymore is an amazing actor, and the production is worth viewing just to see him do his stuff. He is nicely assisted by Ethel Griffies who plays Mrs. Bartolomew, a charity obsessed busybody who gets funnier with each scene in which she appears. The film also has a nice script going for it, especially if you like film&apos;s that preserve the basic flavor of their original stage productions. I can&apos;t imagine the silent version being very entertaining as it is the dialogue that really holds everything together.

Of special note is the touching final scene between Barrymore and Breakston, which you don&apos;t see coming. They go out on this sequence, which I imagine was quite a sensation for 1935 audiences. 

The again, what do I know? I&apos;m only a child.

"The Return of Peter Grimm" (1935) is a remake of a 1926 silent of the same name; which itself was a adaptation of David Belascoe's play. Lionel Barrymore plays the title character, a wealthy uncle whose relatives live with him on his estate. Helen Mack plays his ward Catherine and George Breakston his young nephew William. Peter and William are not in good health and their doctor (Edward Ellis) is a constant presence in the house. 

The main villain of the piece is older nephew Frederik (Allen Vincent) who is responsible for the suicide of William's mother and is plotting to marry Catherine and sell the estate they will jointly inherit. Vincent is appropriately slimy in this role and they somehow manage to subtly convey this the instant he first appears on the screen (you just sense it). These older films are often a surprising showcase of acting and directing talent.

Peter favored this marriage when he was alive, and encouraged Catherine to reject the man she really loves. But upon his death he realizes his mistake and returns as a ghost hoping to set things right.

The ghostly effects are of course quite dated but rather interesting. It appears that the scenes with Peter's ghost were shot in a normal fashion and then altered in post-production. A blur was glued to the side of the negative in which Peter is positioned, it is way too extreme and renders Barrymore's acting for the camera ability irrelevant; he can only convey his character's emotions with his voice during this sequences. And although they try to stage the scenes in such a way that the other actors (playing live characters) are not obscured, there are several times when they walk right into the blurred area. 

Barrymore is an amazing actor, and the production is worth viewing just to see him do his stuff. He is nicely assisted by Ethel Griffies who plays Mrs. Bartolomew, a charity obsessed busybody who gets funnier with each scene in which she appears. The film also has a nice script going for it, especially if you like film's that preserve the basic flavor of their original stage productions. I can't imagine the silent version being very entertaining as it is the dialogue that really holds everything together.

Of special note is the touching final scene between Barrymore and Breakston, which you don't see coming. They go out on this sequence, which I imagine was quite a sensation for 1935 audiences. 

The again, what do I know? I'm only a child.

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