Second remake of Josef vonSternberg's Shanghai

Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA

Richard Dix, Bernadene Hayes, John Kellogg, and Karen Morley in The Thirteenth Hour (1947)

Alex Nicol and Eleanor Summerfield in The Black Glove (1954)

Deborah Kerr, James Mason, Stewart Granger, and Jane Greer in The Prisoner of Zenda (1952)

James Cardwell, Richard Dix, Lynn Merrick, Frank Reicher, and Rhys Williams in Voice of the Whistler (1945)

William Holden, Carolyn Jones, Edmond O'Brien, and Alexis Smith in The Turning Point (1952)

Marlene Dietrich and Brian Aherne in The Song of Songs (1933)

Wynne Gibson and Jean Hersholt in The Crime of the Century (1933)

Bette Davis and Warren William in Satan Met a Lady (1936)

Alan Ladd and Donna Reed in Chicago Deadline (1949)

Barbara Stanwyck, Brian Donlevy, and Joel McCrea in The Great Man's Lady (1941)

Joseph Cotten, Corinne Calvet, and Edmund Gwenn in Peking Express (1951)

Mr. Kwon! Your fortunes have improved immeasurably.

Yes, the Gods have been gracious. But I will not detain you further. My business with you is very simple. I want money. How much do you think your superiors at the Catholic University in Peking would pay for your safe return?

I'm afraid you overestimate my importance. There will be no ransom.

Then, Father, can you think of any good reason why I should not have you shot?

I can think of no reason that would appeal to you.

I will give you my decision later. If it is necessary to kill you, you will understand there is nothing personal.

If it is necessary, I shall try to regard it as an impersonal bullet.

Joseph Cotten

Corinne Calvet

Edmund Gwenn

John Meredyth Lucas

Jules Furthman

Harry Hervey

A group of refugees fleeing Chinese Communist rule via train are beset by a gang of terrifying outlaws.

William Dieterle

Peking Express

Don&apos;t let them fool you

I&apos;m tired of communist sympathizers putting this movie down. You&apos;ll hear about played out dialogue, or same old ideology. This version revolves around communism. This was made in the 1940s so the dialogue and ideology attacking communism wasn&apos;t played out. In fact, it should never be played out... just open your eye&apos;s today and you&apos;ll see, the communists are winning. Maybe if we kept on making films like this, we wouldn&apos;t have a communist infiltration in every American institution today. Including the biggest communist institution, Hollywood!!!

One reviewer even went on to criticize Joseph Cotten in this film because he didn&apos;t look natural using a machine gun ... he shouldn&apos;t look natural because he&apos;s playing a doctor working for the World Health Organization. Btw. That&apos;s another institution that is bought and owned by the Chinese communist party today.

https://m.media-amazon.com/images/M/MV5BOTlmMDY3YjMtYzUxYS00NjNlLWFhYTktZWY1OTUzMDQ2NjVjXkEyXkFqcGdeQVRoaXJkUGFydHlJbmdlc3Rpb25Xb3JrZmxvdw@@._V1_.jpg

I'm tired of communist sympathizers putting this movie down. You'll hear about played out dialogue, or same old ideology. This version revolves around communism. This was made in the 1940s so the dialogue and ideology attacking communism wasn't played out. In fact, it should never be played out... just open your eye's today and you'll see, the communists are winning. Maybe if we kept on making films like this, we wouldn't have a communist infiltration in every American institution today. Including the biggest communist institution, Hollywood!!!

One reviewer even went on to criticize Joseph Cotten in this film because he didn't look natural using a machine gun ... he shouldn't look natural because he's playing a doctor working for the World Health Organization. Btw. That's another institution that is bought and owned by the Chinese communist party today.

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Peking Express

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