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The Blue Gardenia

The Blue Gardenia

1953Movie⏱️ 1h 30mApproved
CrimeDramaFilm-NoirMysteryThriller
⭐ 6.8
IMDB Rating
6,965 votes

A telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may have committed murder.

Director
Fritz Lang
Writers
Charles Hoffman, Vera Caspary
Stars
Anne Baxter, Richard Conte, Ann Sothern
Release Date
March 28, 1953
Language
English
Country
United States
πŸ’¬ 99
Reviews
πŸ“‹ 5.7K
Watchlists
πŸ“½οΈ View on IMDB

🎭 Top Cast

Anne Baxter
Anne Baxter
as Norah Larkin
Richard Conte
Richard Conte
as Casey Mayo
Ann Sothern
Ann Sothern
as Crystal Carpenter
Raymond Burr
Raymond Burr
as Harry Prebble
Jeff Donnell
Jeff Donnell
as Sally Ellis
Richard Erdman
Richard Erdman
as Al
George Reeves
George Reeves
as Sam Haynes
πŸ‘€
Ruth Storey
as Rose Miller
Ray Walker
Ray Walker
as Homer
Nat 'King' Cole
Nat 'King' Cole
as Nat 'King' Cole

🎬 Technical Specs

Aspect Ratio
1.37 : 1
Color
Black and White
Filming Location
Motion Picture Center Studios, Hollywood, Los Angeles, California, USA
Production
Blue Gardenia Productions

🏷️ Keywords

title based on songmemory lapsecolor in titlemurdertelephone operator

🎯 Categories

Film NoirCrimeDramaMysteryThriller

⭐ Featured Review

A strong, crime tinged, imperfect melodrama
by secondtake β€’ 2010-06-02
7/10

"Blue Gardenia (1953) The likable Richard Conte makes a great news reporter here, and Anne Baxter as the woman in trouble is pitch perfect. In fact, Baxter's two sidekicks are also right on, Jeff Donnell (a woman, really sharp) and Ann Southern. It's a good story, a little forced, but with lots of atmosphere at the right times (including a scene with the real Nat King Cole playing and singing). What holds the movie back is a mixture of basic story line, which lacks velocity and credibility equally, and direction, which doesn't heighten what is really strong here. That is, a gr..."

πŸ’‘ Did You Know?

Director Fritz Lang and cinematographer Nicholas Musuraca developed a revolutionary dolly for the camera that allowed for sustained tracking shots and intimate close-ups while shooting this film. Lang preferred the practice of tracking into a close-up shot of an actor as opposed to cutting to a close-up in editing. He believed the tracking close-up captured more of the actors' intimacy and emotions.

πŸ“– Synopsis

A telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may have committed murder.