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One Girl's Confession

One Girl's Confession

1953Movie⏱️ 1h 14mApproved
ActionCrimeDramaFilm-Noir
6.5
IMDB Rating
698 votes

Another of the "Fate and Irony" films from director-writer-producer-actor Hugo Haas but this one has less hair-shirt torment than most of his offerings, although his camera, as usual, lingers provocatively on the contours of the l...

Director
Hugo Haas
Writers
N/A
Stars
Cleo Moore, Hugo Haas, Glenn Langan
Release Date
April 6, 1953
Language
English
Country
United States
💬 22
Reviews
📽️ View on IMDB

🎭 Top Cast

Cleo Moore
Cleo Moore
as Mary Adams
Hugo Haas
Hugo Haas
as Dragomie Damitrof
Glenn Langan
Glenn Langan
as Johnny
Helene Stanton
Helene Stanton
as Smooch
Anthony Jochim
Anthony Jochim
as Father Benedict
Burt Mustin
Burt Mustin
as Gardener
👤
Leonid Snegoff
as Gregory Stark
James Nusser
James Nusser
as Warden
Russ Conway
Russ Conway
as Police Officer
👤
Mara Lea
as Girl

🎬 Technical Specs

Aspect Ratio
1.37 : 1
Color
Black and White
Production
Hugo Haas Productions

🏷️ Keywords

catholic churchb moviefemme fataledamsel in distresscigarette smoking

🎯 Categories

Film NoirActionCrimeDrama

⭐ Featured Review

Give Cleo Ten Minutes and You're Hooked! Bad Girl On The Move!
by museumofdave2013-03-02
7/10

"I suspect that in its day, most of the men who paid their fifty cents to see this in a theatre were happy the minute it started, as buxom, full-bodied, sensual Cleo Moore is stretched full screen on the beach late at night, having gone to sleep when she should be waiting tables elsewhere. In the first ten minutes of the film, driven by revenge for her father's death at the hands of her employer, Cleo decides to be very, very bad, robs her boss, and then pays the price! Bad Girl on The Move! Positives: The pace never flags, there are some fascinating camera angles reminiscent of Orson Well..."

💡 Did You Know?

Hugo Haas' character's new digs: Hotel Shangri-La 1301 Ocean Avenue, Santa Monica, Los Angeles, CA

📖 Synopsis

Another of the "Fate and Irony" films from director-writer-producer-actor Hugo Haas but this one has less hair-shirt torment than most of his offerings, although his camera, as usual, lingers provocatively on the contours of the l...