A Man Escaped or: The Wind Bloweth Where It Listeth

Simple yet practically "spiritual" in its focus on humanity.

Amazing, one of the best movies ever made

Was there ever a sparer, more concentrated film?

Studios de Saint-Maurice, Saint-Maurice, Val-de-Marne, France

Anne Wiazemsky in Au hasard Balthazar (1966)

Philippe Leroy, Michel Constantin, Jean Keraudy, Raymond Meunier, and Marc Michel in The Hole (1960)

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Paul Bernard, María Casares, and Elina Labourdette in The Ladies of the Bois de Boulogne (1945)

Aleksey Kravchenko in Come and See (1985)

Un condamné à mort s'est échappé ou Le vent souffle où il veut

I think my courage abandoned me for a moment and I cried.

Great Mass in C Minor, No.16 (K.427) - Kyrie

François Leterrier in A Man Escaped (1956)

François Leterrier

Charles Le Clainche

Maurice Beerblock

André Devigny

Robert Bresson

A captured French Resistance fighter during World War II engineers a daunting escape from a German prison in France.

Un condamné à mort s&apos;est échappé ou Le vent souffle où il veut

Simple yet practically &quot;spiritual&quot; in its focus on humanity.

Bresson&apos;s command of the cinematic language...and more importantly, his restraint... make this a very powerful story of one man&apos;s determination to find meaning in his actions, focused goal, and adherence to his beliefs.

Presumably tipping off the viewer with the title (A Man Escaped) we already suspect how it will end, and therefore the tension isn&apos;t in the final twists of the story, but rather, his journey to that place.

Narrative stripped down of all melodramatic trappings, the film manages to reveal a larger truth about man&apos;s struggle against unknowable odds, his struggle with himself, and his resolve to move forward. A couple of the side-characters are from the church, or pastors, which give the ongoing conversations in the common areas an added resonance to &quot;grace&quot; and a possibility of transcendental deliverance. Even though the lead character doesn&apos;t seem to truck much with religious faith. 

He has his own - in his resolve to escape.

It&apos;s appropriate that we barely know why the lead character is in prison, only that he is already on the way there when the film starts. (And even then, tries a failed attempt to run from the car that is transporting him. So much for back-story. The character is revealed through his subsequent actions.)

A simple beautiful film focused on humanity at its most desperate, spare, and focused.

Three Reasons Criterion Trailer for A Man Escaped

A Man Escaped: The Criterion Collection

https://m.media-amazon.com/images/M/MV5BNzcxM2MzMDItM2QwYy00YzI0LTgzNjEtMjY0ZGYxMDY0MmYyXkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_.jpg

Bresson's command of the cinematic language...and more importantly, his restraint... make this a very powerful story of one man's determination to find meaning in his actions, focused goal, and adherence to his beliefs.

Presumably tipping off the viewer with the title (A Man Escaped) we already suspect how it will end, and therefore the tension isn't in the final twists of the story, but rather, his journey to that place.

Narrative stripped down of all melodramatic trappings, the film manages to reveal a larger truth about man's struggle against unknowable odds, his struggle with himself, and his resolve to move forward. A couple of the side-characters are from the church, or pastors, which give the ongoing conversations in the common areas an added resonance to "grace" and a possibility of transcendental deliverance. Even though the lead character doesn't seem to truck much with religious faith. 

He has his own - in his resolve to escape.

It's appropriate that we barely know why the lead character is in prison, only that he is already on the way there when the film starts. (And even then, tries a failed attempt to run from the car that is transporting him. So much for back-story. The character is revealed through his subsequent actions.)

A simple beautiful film focused on humanity at its most desperate, spare, and focused.

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Un condamné à mort s'est échappé ou Le vent souffle où il veut

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