
Nihon no yoru to kiri
Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.
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⭐ Featured Review
"This movie begins with a wedding. Nice, right? No, not really. The guests all look kind of grim. Instead of lauding the bride and groom, they are speaking of the demonstrations against the Japan Security Treaty, a controversial act of its time. In the first scene the camera moves a bit haphazardly, which I'm certain is on purpose. Little lighting tricks like spotlights accentuate this tale of a group of youngish (all younger than 35, I'd say) fighting for their rights. This movie could have been a play, its staged that way. Whether you're interested depends on your sense of hist..."
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This movie had a very troubled release in Japan. It was released in October 1960 and pulled from theaters after only three days by Shochiku. Director Nagisa Ôshima violently condemned the withdrawal in a public statement. The text reads as follows: 'I protest with indescribable anger against the massacre of Night and Fog in Japan. On behalf of us all, I, Toshirô Ishidô, all the members of the crew headed by Kô Kawamata, who participated in the film as if it was a personal matter, in this way giving depth to even the most difficult contents, all the actors, led by Fumio Watanabe who affirmed that his committed interpretation was much more than just professional, and all the people who were not directly involved in the making of the film but who collaborated to improve the result by offering criticism and suggestions as if it were one of their films, on behalf of us all, and of the pain and anger felt by everyone, I protest against the massacre of Night and Fog in Japan. Undoubtedly this massacre is an act of political repression. This is due to the fact that the film was withdrawn not because of disfavor from the audience. It is due to the way in which it was withdrawn. And if it does not depend on an act of political repression, then let us have the chance to present it to the public in just one theater, in a private association! Let the film be distributed!'
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📖 Synopsis
Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.





