"A Tale of Two Navy Birds and a Talking Duck"

Sportsmen's Lodge Hotel, 12825 Ventura Boulevard, Studio City, Los Angeles, California, USA

Gene Hackman, John Cazale, and Allen Garfield in The Conversation (1974)

Mickey Rooney, Buddy Hackett, Elizabeth MacRae, and Joanie Sommers in Everything's Ducky (1961)

Elizabeth MacRae in Everything's Ducky (1961)

Mickey Rooney and Buddy Hackett in Everything's Ducky (1961)

Buddy Hackett in Everything's Ducky (1961)

Mickey Rooney

Buddy Hackett

Jackie Cooper

Benedict Freedman

John Fenton Murray

Two sailors sneak a talking duck on board their ship. Complications ensue.

Don Taylor

Everything&apos;s Ducky

Quacky!

&quot;Everything&apos;s Ducky&quot;, a 1961 broad, slapstick fantasy, has the feel of a 60s Disney comedy. I believe that it is TV director Don Taylor&apos;s first big screen project. The idea for the film is alright, but it all should have been broader. Mickey Rooney is a first rate comedian who never found the right vehicle after his tenure at MGM. He wanted to be part of a team and even asked Bud Abbott to team up with him after Lou Costello&apos;s death. Here, Rooney is teamed with Buddy Hackett. They look good together, but they are not permitted to work out routines together. Rooney is a solid burlesque pro, and Hackett was known for his use of blue material. There isn&apos;t even any double entendre humor here. Rooney and Hackett could have been dynamite with proper material. This film doesn&apos;t even have enough slapstick to make it work.

Joanie Sommers is wasted here as Rooney&apos;s &quot;love&quot; interest, but Elizabeth MacRae puts in a convincing performance as Hackett&apos;s girl friend. Although Jackie Cooper gets good billing in the credits, he only has a small cameo. Richard Deacon gives his usual solid performance as a fruity scientist. Roland Winters, as Rooney and Hackett&apos;s commanding officer, is much too restrained; he needed to play this over the top. It was a nice surprise to see Alvy &quot;Mr. Kimball&quot; Moore, from &quot;Green Acres&quot; as a messenger. A major disappointment was Walker Edmiston&apos;s nondescript voice as the duck.

The Hi Los sing two catchy songs by Harold Spina. According to the credits there were supposed to be three songs. But where are the songs for Joanie Sommers? She would have done well by Spina&apos;s catchy tunes. A duet with Rooney would have been nice.

Unfortunately, the film does not have a real conclusion. Like a poor two reel comedy, it just stops. I wonder if the production company ran out of money.

"Everything's Ducky", a 1961 broad, slapstick fantasy, has the feel of a 60s Disney comedy. I believe that it is TV director Don Taylor's first big screen project. The idea for the film is alright, but it all should have been broader. Mickey Rooney is a first rate comedian who never found the right vehicle after his tenure at MGM. He wanted to be part of a team and even asked Bud Abbott to team up with him after Lou Costello's death. Here, Rooney is teamed with Buddy Hackett. They look good together, but they are not permitted to work out routines together. Rooney is a solid burlesque pro, and Hackett was known for his use of blue material. There isn't even any double entendre humor here. Rooney and Hackett could have been dynamite with proper material. This film doesn't even have enough slapstick to make it work.

Joanie Sommers is wasted here as Rooney's "love" interest, but Elizabeth MacRae puts in a convincing performance as Hackett's girl friend. Although Jackie Cooper gets good billing in the credits, he only has a small cameo. Richard Deacon gives his usual solid performance as a fruity scientist. Roland Winters, as Rooney and Hackett's commanding officer, is much too restrained; he needed to play this over the top. It was a nice surprise to see Alvy "Mr. Kimball" Moore, from "Green Acres" as a messenger. A major disappointment was Walker Edmiston's nondescript voice as the duck.

The Hi Los sing two catchy songs by Harold Spina. According to the credits there were supposed to be three songs. But where are the songs for Joanie Sommers? She would have done well by Spina's catchy tunes. A duet with Rooney would have been nice.

Unfortunately, the film does not have a real conclusion. Like a poor two reel comedy, it just stops. I wonder if the production company ran out of money.

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