
4 mosche di velluto grigio
A musician is stalked by an unknown homicidal maniac, who blackmails him for the accidental killing of another stalker.
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"As with the previous two entries in the unofficial Animal Trilogy, Four Flies on Grey Velvet is short on explicit gore but brimming with atmosphere and artistic ingenuity, with set-piece murders primed and mined for maximum tension. It was with this film that Argento began to cement his particular style and is something of a crucible for future ideas. The murder of Roberto's maid in a local park foreshadows John Saxon's fate in Tenebre, and with its sudden lapses in time and attempted escape through the cobwebbed space between two buildings (to a soundtrack of whispers and sighs) it ..."
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Dario Argento's usual collaborator Ennio Morricone scored the film, but had a major argument with Argento over some tracks Argento didn't want in it. As a result, the director and Morricone would not work together again until 1996, and the rock group Goblin would eventually become Argento's regular composers.
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A musician is stalked by an unknown homicidal maniac, who blackmails him for the accidental killing of another stalker.





