Jaya Bachchan's performance is stupendous!

Hrishikesh Da is director par excellence!

Marriage, success, and the consequences -- Jaya Bhaduri owns it, Amitabh supports well

Amitabh Bachchan, Shashi Kapoor, and Smita Patil in Namak Halaal (1982)

Amitabh Bachchan, Shashi Kapoor, and Sanjeev Kumar in Trishul (1978)

Amitabh Bachchan, Shashi Kapoor, Rakhee Gulzar, Rishi Kapoor, Waheeda Rehman, and Neetu Singh in Kabhi Kabhie (1976)

Amitabh Bachchan and Zeenat Aman in Don (1978)

Amitabh Bachchan, Shashi Kapoor, Sunil Dutt, Parveen Babi, Bindiya Goswami, Rakhee Gulzar, and Shatrughan Sinha in Shaan (1980)

Amitabh Bachchan and Jaya Bachchan in Abhimaan (1973)

When a song is sung for oneself it becomes music.

Amitabh Bachchan, Jaya Bachchan, and Govardhan Asrani in Abhimaan (1973)

Amitabh Bachchan

Jaya Bachchan

Govardhan Asrani

Nabendu Ghosh

Rajinder Singh Bedi

Biresh Chatterjee

A popular singer convinces his new wife to enter show-business, but his pride is wounded when she outshines him.

Hrishikesh Mukherjee

Abhimaan

Pride, Envy, Ego and Marriage

Hrishikesh Mukherjee&apos;s &apos;Abhimaan&apos; takes a look on gender role complexities and stereotypical thinking in a 70&apos;s modern day Indian marriage. Another equally excellent film that revolves around a similar theme is Basu Chatterji&apos;s &apos;Anubhav&apos;. But both Mukherjee and Chatterjee tell their own stories and give their films different treatments.

We initially see Subir as this almost burnt out popstar who&apos;s fed up with partying, paparazzi, fame etc but Aarti&apos;s entrance into his life gives him a new focus and continues to inspire him to sing. Soon after their marriage, Uma&apos;s talent for singing is discovered and Subir encourages her to sing with him. As Uma&apos;s singing is more exposed (and she is the more talented artiste) she begins to gain more fame than her husband. Subir&apos;s envy becomes stronger and eventually his ego takes over and results in the collapse of their marriage.

Mukherjee&apos;s presentation of the themes and dilemma that arise within a marriage are very well depicted. I liked how he made the theme part of the story without having them stick out like a soar thumb. The strength of his films were always the down to earth touch and the characters and stories being easy to relate to. &apos;Abhimaan&apos; is no different. Even though it&apos;s about a popstar, the problems that arise with the characters do occur with the common man. I especially liked how the movie ended with the couple despite walking through a crowd, they silently walk away holding each other as if they have just found each other and never want to let go. The writing is superb with some great dialogues. Even though the lines are of a few words, they speak volumes. Sachin Dev Burman&apos;s soundtrack is phenomenal. I love all the songs. Each and every one of them are beautiful. The lyrics are priceless. It&apos;s hard to pick a favourite but the first one that pops up in mind is the wonderful &apos;Tere Mere Milan Ki&apos;.

Amitabh Bachchan and Jaya Bhaduri are at their best. I loved them both in &apos;Mili&apos; and &apos;Chupke Chupke&apos; (both also happen to be Hrishikesh Mukherjee films) and in &apos;Abhimaan&apos; their roles are somewhat more complex than in the other two films. Bachchan&apos;s Subir could have easily been a one-dimensional caricature jealous husband but he brilliantly brings out the human side portraying him as a devoted husband who did try to accept this wife&apos;s more successful singing career until his ego got the better of him. At the same time he also feels guilt and is ashamed of his growing resentment towards Uma. Jaya Bhaduri is sublime. Her Uma is the devoted wife who shares her husband&apos;s passion but only Subir has always been her first priority. The supporting cast do a fine job but Asrani and Bindu deserve special mention. Asrani performs naturally as Subir&apos;s friend/manager and Bindu, who is cast against type, delivers a memorable performance as Subir&apos;s silent lover.

There are some glitches. For instance the scene where Subir, who clearly loves his wife, asks his doctor whether to perform electroshock therapy looks out of place. Perhaps it was Mukherjee&apos;s intention to state that such measures are not required to treat depression.

Overall, &apos;Abhimaan&apos; is a timeless classic. The songs still feel fresh and stay in the head. The performances are outstanding. The story&apos;s very creative and one that still applies to today&apos;s society and Hrishikesh Mukherjee&apos;s magic touch makes this one a gem.

Hrishikesh Mukherjee's 'Abhimaan' takes a look on gender role complexities and stereotypical thinking in a 70's modern day Indian marriage. Another equally excellent film that revolves around a similar theme is Basu Chatterji's 'Anubhav'. But both Mukherjee and Chatterjee tell their own stories and give their films different treatments.

We initially see Subir as this almost burnt out popstar who's fed up with partying, paparazzi, fame etc but Aarti's entrance into his life gives him a new focus and continues to inspire him to sing. Soon after their marriage, Uma's talent for singing is discovered and Subir encourages her to sing with him. As Uma's singing is more exposed (and she is the more talented artiste) she begins to gain more fame than her husband. Subir's envy becomes stronger and eventually his ego takes over and results in the collapse of their marriage.

Mukherjee's presentation of the themes and dilemma that arise within a marriage are very well depicted. I liked how he made the theme part of the story without having them stick out like a soar thumb. The strength of his films were always the down to earth touch and the characters and stories being easy to relate to. 'Abhimaan' is no different. Even though it's about a popstar, the problems that arise with the characters do occur with the common man. I especially liked how the movie ended with the couple despite walking through a crowd, they silently walk away holding each other as if they have just found each other and never want to let go. The writing is superb with some great dialogues. Even though the lines are of a few words, they speak volumes. Sachin Dev Burman's soundtrack is phenomenal. I love all the songs. Each and every one of them are beautiful. The lyrics are priceless. It's hard to pick a favourite but the first one that pops up in mind is the wonderful 'Tere Mere Milan Ki'.

Amitabh Bachchan and Jaya Bhaduri are at their best. I loved them both in 'Mili' and 'Chupke Chupke' (both also happen to be Hrishikesh Mukherjee films) and in 'Abhimaan' their roles are somewhat more complex than in the other two films. Bachchan's Subir could have easily been a one-dimensional caricature jealous husband but he brilliantly brings out the human side portraying him as a devoted husband who did try to accept this wife's more successful singing career until his ego got the better of him. At the same time he also feels guilt and is ashamed of his growing resentment towards Uma. Jaya Bhaduri is sublime. Her Uma is the devoted wife who shares her husband's passion but only Subir has always been her first priority. The supporting cast do a fine job but Asrani and Bindu deserve special mention. Asrani performs naturally as Subir's friend/manager and Bindu, who is cast against type, delivers a memorable performance as Subir's silent lover.

There are some glitches. For instance the scene where Subir, who clearly loves his wife, asks his doctor whether to perform electroshock therapy looks out of place. Perhaps it was Mukherjee's intention to state that such measures are not required to treat depression.

Overall, 'Abhimaan' is a timeless classic. The songs still feel fresh and stay in the head. The performances are outstanding. The story's very creative and one that still applies to today's society and Hrishikesh Mukherjee's magic touch makes this one a gem.

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