
Don't Look Now
A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.
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"There are two types of horror films, really. There are popcorn horror films, good for a cheap in-the-moment thrill at best, and there are serious horror films, movies that linger in the mind and in the bones. I have just watched Nicolas Roeg's 'Don't Look Now' and my spine is frozen. It's 4am, I'm alone, and I have a heightened awareness of sounds and sights I usually don't notice. Here is a movie that's both resolved and unresolved, ultimately growing more ambiguous as it progresses and becomes more complex. After it is over and has become a complete(d..."
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The scene set in the church where Laura lights a candle for Christine was mostly improvised. Originally intended to show the gulf between John's and Laura's mental states-John's denial and Laura's inability to let go-the script included two pages of dialogue to illustrate John's unease at Laura's marked display of grief. After a break in filming to allow the crew to set up the equipment, Donald Sutherland returned to the set and commented that he did not like the church, to which Julie Christie retorted that he was being "silly," and the church was "beautiful." Nicolas Roeg felt that the exchange was more true to life in terms of what the characters would actually say to each other, and that the scripted version was "overwritten," so opted to ditch the scripted dialogue and included the real-life exchange instead.
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A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.





