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Richard Pryor: I Ain't Dead Yet, #*%$#@!!

straight from the source- release set for September 04

Los Angeles Memorial Coliseum - 3911 S. Figueroa Street, Exposition Park, Los Angeles, California, USA

David Bowie in Ziggy Stardust and the Spiders from Mars (1979)

Chuck Berry, Marvin Gaye, Lesley Gore, The Supremes, The Barbarians, The Rolling Stones, The Beach Boys, Billy J. Kramer and the Dakotas, Gerry and the Pacemakers, James Brown and The Famous Flames, Jan & Dean, and Smokey Robinson & The Miracles in The T.A.M.I. Show (1964)

Elliott Gould, Angel Tompkins, and Brenda Vaccaro in I Love My Wife (1970)

Dana Andrews and Richard Conte in A Walk in the Sun (1945)

The Dramatics

The Staple Singers

Kim Weston

Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.

Mel Stuart

Wattstax

Snapshot of Early 1970&apos;s Soul

This is not just a concert film; it&apos;s a documentary about African-American life in Los Angeles in the early 1970&apos;s.  The concert is to commemorate the Watts riots of 1965, and some of the positive changes that took place in the area.  Although there is a lot of humor to be found in some of the comments that the residents make about changes in their area, it&apos;s sad to realize that the lingering problems of racism and unequal opportunities still exist to this day.  However, there&apos;s a lot of joy and hope expressed throughout the film.  This is one of Richard Pryor&apos;s earliest appearances on film, and he is pure genius.  Ted Lange (&quot;The Love Boat&quot;) and Raymond Lewis (Woodrow on &quot;Sanford and Son), are some of the Watts residents who give their thoughts about the political changes.  Thespian couple Ossie Davis and Ruby Dee can be glimpsed in the stands during a quick shot.

All of the musical performances are solid.  The movie opens with The Dramatics&apos; &quot;What You See Is What You Get&quot; which serves as a commentary on Watts itself.  Some of the musical acts perform away from the concert area. The Emotions do a heartfelt rendition of the gospel song, &quot;Peace Be Still&quot;, in a local church and blues great Little Milton does a classic, &quot;Walking The Back Streets Crying&quot; while sitting near a railway.  The late, great Johnny Taylor sings &quot;Jody Got Your Girl and Gone&quot; to a nightclub audience populated by players and hustlers in full regalia.  Back on the concert stage, Rufus Thomas appears in an outrageous outfit and mixes comedy along with his music. The Staple Singers, The Barkays, Carla Thomas, Kim Weston, Albert King, Rance Allen please the audience.  Issac Hayes caps the night off when he struts in to the &quot;Theme From Shaft&quot; and The Rev. Jessie Jackson gives him a king&apos;s welcome.

I saw this film during the Chicago International Film Festival this year, and afterwards, the director, Mel Stuart, explained that legal entanglements continue to keep this film from being released on video.  That&apos;s a shame, because this film is an excellent time capsule of a piece of 1970&apos;s culture.

Trailer

https://m.media-amazon.com/images/M/MV5BOTZjNzBlOTAtMDY0NC00MmQyLTk4N2MtYTY3M2Y5YTMwZTJmXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

This is not just a concert film; it's a documentary about African-American life in Los Angeles in the early 1970's.  The concert is to commemorate the Watts riots of 1965, and some of the positive changes that took place in the area.  Although there is a lot of humor to be found in some of the comments that the residents make about changes in their area, it's sad to realize that the lingering problems of racism and unequal opportunities still exist to this day.  However, there's a lot of joy and hope expressed throughout the film.  This is one of Richard Pryor's earliest appearances on film, and he is pure genius.  Ted Lange ("The Love Boat") and Raymond Lewis (Woodrow on "Sanford and Son), are some of the Watts residents who give their thoughts about the political changes.  Thespian couple Ossie Davis and Ruby Dee can be glimpsed in the stands during a quick shot.

All of the musical performances are solid.  The movie opens with The Dramatics' "What You See Is What You Get" which serves as a commentary on Watts itself.  Some of the musical acts perform away from the concert area. The Emotions do a heartfelt rendition of the gospel song, "Peace Be Still", in a local church and blues great Little Milton does a classic, "Walking The Back Streets Crying" while sitting near a railway.  The late, great Johnny Taylor sings "Jody Got Your Girl and Gone" to a nightclub audience populated by players and hustlers in full regalia.  Back on the concert stage, Rufus Thomas appears in an outrageous outfit and mixes comedy along with his music. The Staple Singers, The Barkays, Carla Thomas, Kim Weston, Albert King, Rance Allen please the audience.  Issac Hayes caps the night off when he struts in to the "Theme From Shaft" and The Rev. Jessie Jackson gives him a king's welcome.

I saw this film during the Chicago International Film Festival this year, and afterwards, the director, Mel Stuart, explained that legal entanglements continue to keep this film from being released on video.  That's a shame, because this film is an excellent time capsule of a piece of 1970's culture.

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