Sylvia Kristel and Nicholas Clay in Lady Chatterley's Lover (1981)

Laura Gemser in Emanuelle, Queen of Sados (1980)

Sylvia Kristel and Eric Brown in Private Lessons (1981)

Marcela Walerstein in Emmanuelle in Venice (1993)

I like Emmanuelle very much... but there are things about you two I can't bring myself to accept. You play around with love.

If you mean to - to accuse us of sleeping with whomever we want - yes, we play around.

No, there's no danger in going to bed with someone, but falling in love with them - that can be dangerous. Let me tell you a secret - I don't love Laura, I love Emmanuelle.

Supposing one day you happen to fall in love?

I'll admit, there's that risk, but... I happen to like risks, as Emmanuelle does.

Certainly; I don't hide anything. Don't you think that's the way a couple should be?

No lying to each other, even by omission. I've no rights over Emmanuelle - if it pleases her, it pleases me.

Sylvia Kristel and Umberto Orsini in Emmanuelle II (1975)

Sylvia Kristel

Umberto Orsini

Frédéric Lagache

Bob Elia

Emmanuelle Arsan

Francis Giacobetti

Emmanuelle travels to Hong Kong in search of her estranged husband Jean. Her quest takes an unexpected turn when she meets Christopher, a pilot and Laura, Jean&apos;s mistress, igniting a whirlwind of extramarital affairs with Jean&apos;s k...

Emmanuelle: L&apos;antivierge

Very chic, and some of the erotic encounters are very nice

Like &quot;Emmanuelle, &quot;Joys of a woman&quot; wallows in pseudo-philosophy while displaying a lot of aroused women seeking satisfaction The setting is Hong Kong, where Emmanuelle is taken through the high-life of the aristocrat 

In Jack Jaeckin&apos;s first film, Emmanuelle was sexually reserved, and came out as she discovered her hidden sexuality In the sequel, she explores further into the erotic domainespecially other womenin trying to find the perfect lover 

The characters are not real, but ethereal, dream-like creatures floating through life This quality actually works quite well as Sylvia Kristel encounters other women The eroticism is soft and sensual When she confronts a man, however, there is a feeling only of performance It&apos;s much more sharply refreshing and keen The male lovers never seem to be as compassionate or as feeling as the women, nor are their characters as developed 

The photography is quite rich and luxuriant, and has captured a postcard view of modern Hong Kong

Home Video Extra (Clip) from Anchor Bay Entertainment

Emanuelle 2

https://m.media-amazon.com/images/M/MV5BYzVkYTEzYjAtZDA5MS00Y2MzLThkNGQtZGQ2NDc0OTM1NTEyXkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_.jpg

Like "Emmanuelle, "Joys of a woman" wallows in pseudo-philosophy while displaying a lot of aroused women seeking satisfaction The setting is Hong Kong, where Emmanuelle is taken through the high-life of the aristocrat 

In Jack Jaeckin's first film, Emmanuelle was sexually reserved, and came out as she discovered her hidden sexuality In the sequel, she explores further into the erotic domainespecially other womenin trying to find the perfect lover 

The characters are not real, but ethereal, dream-like creatures floating through life This quality actually works quite well as Sylvia Kristel encounters other women The eroticism is soft and sensual When she confronts a man, however, there is a feeling only of performance It's much more sharply refreshing and keen The male lovers never seem to be as compassionate or as feeling as the women, nor are their characters as developed 

The photography is quite rich and luxuriant, and has captured a postcard view of modern Hong Kong

Emmanuelle travels to Hong Kong in search of her estranged husband Jean. Her quest takes an unexpected turn when she meets Christopher, a pilot and Laura, Jean's mistress, igniting a whirlwind of extramarital affairs with Jean's knowledge.

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Emmanuelle: L'antivierge

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