So much talent, so early in their careers.

Crunch smacks around a pimp with the Port Authority Bus Terminal in the background

625 8th Avenue, Manhattan, New York City, New York, USA

Erik Estrada and James Mitchum in Trackdown (1976)

Adam Baldwin and Roy Scheider in Cohen and Tate (1988)

James Coburn in Harry in Your Pocket (1973)

Elliott Gould and Robert Blake in Busting (1974)

Ruby Dee and Frank Converse in Chelsea D.H.O. (1973)

Karen Black and George Segal in Born to Win (1971)

Anthony Quinn, Paul Benjamin, and Anthony Franciosa in Across 110th Street (1972)

Morgan Freeman, Kathy Baker, and Christopher Reeve in Street Smart (1987)

Yaphet Kotto in Report to the Commissioner (1975)

Hector Elizondo, Yaphet Kotto, Dana Elcar, and Michael Moriarty in Report to the Commissioner (1975)

Michael Moriarty in Report to the Commissioner (1975)

Tony King and Michael Moriarty in Report to the Commissioner (1975)

Susan Blakely in Report to the Commissioner (1975)

Tony King in Report to the Commissioner (1975)

Michael Moriarty

Yaphet Kotto

Susan Blakely

James Mills

Abby Mann

Ernest Tidyman

Politics skew the probe of a rookie detective&apos;s accidental shooting of an undercover policewoman.

Milton Katselas

Report to the Commissioner

You&apos;ll overlook this film unless you really are an Aquarian and remember its original theatrical run.  Not as highly regarded as Serpico. or Prince of the City, but just as important as one of the breakthrough films that suggested cops could be the bad guys, or, more accurately,&quot; ...there are no good guys, there are no bad guys, there&apos;s only you and me and we two disagree..&quot;.  If, by chance you ever see this on the rental shelf, or late night TV, watch it, and you won&apos;t be sorry, even if only to see a chronicle of the times before anti-heroes regularly wore badges.

&quot;Homicide&quot; (also starring Yaphet Kotto), &quot;Law and Order&quot; (also, originally, starring Michael Moriarity)...even &quot;Hill Street Blues&quot; owe a debt to this gritty, depressing view of the law enforcement establishment.

In retrospect, watching this film adds significance to the subsequent work of its company.

Police officer Patty Butler, alias &quot;Chicklet,&quot; is the live-in girlfriend of Thomas &apos;Stick&apos; Henderson to gather evidence. Detective Bo Lockley is instructed to try to find her, not knowing she&apos;s also a cop.

Trailer

https://m.media-amazon.com/images/M/MV5BMmJiZjQ4NWQtN2Y5ZC00NjIxLTg0MTItNjBmYTc5ODcxODc1XkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

You'll overlook this film unless you really are an Aquarian and remember its original theatrical run.  Not as highly regarded as Serpico. or Prince of the City, but just as important as one of the breakthrough films that suggested cops could be the bad guys, or, more accurately," ...there are no good guys, there are no bad guys, there's only you and me and we two disagree..".  If, by chance you ever see this on the rental shelf, or late night TV, watch it, and you won't be sorry, even if only to see a chronicle of the times before anti-heroes regularly wore badges.

"Homicide" (also starring Yaphet Kotto), "Law and Order" (also, originally, starring Michael Moriarity)...even "Hill Street Blues" owe a debt to this gritty, depressing view of the law enforcement establishment.

In retrospect, watching this film adds significance to the subsequent work of its company.

Politics skew the probe of a rookie detective's accidental shooting of an undercover policewoman.

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Report to the Commissioner

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