The Complete Dramatic Works of William Shakespeare: All's Well That Ends Well

Shakespeare's Dark Tale of Obsession and Desire!

The Second Part of Henry the Sixth (1983)

Brian Protheroe in The Third Part of Henry the Sixth (1983)

Ian Charleson, Pippa Guard, Peter Jeffrey, and Donald Sinden in All's Well That Ends Well (1981)

Peter Jeffrey in All's Well That Ends Well (1981)

Celia Johnson

Ian Charleson

Michael Hordern

William Shakespeare

Giovanni Boccaccio

Helena loves Bertram but he&apos;s of noble birth, while she&apos;s just a doctor&apos;s daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure him and win her the right to marry Bertram....

Elijah Moshinsky

All&apos;s Well That Ends Well

Turns out (very) well at the end

&apos;All&apos;s Well that Ends All&apos; is not one of Shakespeare&apos;s best-known plays, lesser known more like. It is somewhat unorthodox for Shakespeare and was unorthodox at the time, with its depiction of gender role reversals and how surprisingly realistically cynical it is. It is also one of the most difficult Shakespeare plays to stage and interpret, with it being very psychological and having to bring it out compellingly and realistically.

That is a shame because it is an interesting play, both as an overall play and to analyse. &apos;All&apos;s Well that Ends Well&apos; is not one of Shakespeare&apos;s best by any stretch, but all Shakespeare plays are worth reading and seeing at least once and &apos;All&apos;s Well that Ends Well&apos; is no exception. It is funny, thought-provoking and sometimes very moving, with Shakespeare&apos;s mastery of language and memorable quotes always shining. Despite saying this, this deservedly acclaimed 1981 Elijah Moskinsky production is one of the best of the BBC Televison Shakespeare series. Although some productions are better than others and few of them are flawless, this series is a must watch for the main reason of seeing performances of all of Shakespeare&apos;s plays done with taste and with talented actors on board regardless of budget limitations.

Visually, it is one of the best-looking productions of the series. It does look incredibly attractive, gorgeous actually, in especially the sets and it was clear that a lot of care went into the production values, furthermore they were tasteful in look and in how used. Inspired by and based on the paintings of the likes of Vermeer, it is also one of the most visually interesting BBC Television Shakespeare productions. Nicely shot too, intimate yet not static.

Much credit has to go to Moskinsky for the stage direction. Never too cluttered. Never static with tedious stretches. Always done in good taste, without anything that adds nothing to the drama, works against it or leaves a bad taste in the mouth. He does a fine job making the characters compelling, both in character traits and psychologically. Bertram for example is made to be more complex than he can be, both cold with a big ego and sympathetic. Likewise with the character interaction, a prime example being with Helena and Bertram, which is at times remarkably tender and grows emotionally. What makes &apos;All&apos;s Well that Ends Well&apos; problematic to stage does not phase Moshinsky. The balance of comedy and drama is funny and poignant and beautifully balanced.

It is hard not to expect fine performances from a talented cast, and the same can be said for all the productions of the series. Here we get them and more. The standouts for me are Angela Down as a positively text-book Helena, very deeply felt and strong and it felt very human and genuine, and Celia Johnson&apos;s dignified Countess. Also found Pippa Guard very charming, and Ian Charleson avoids making Bertram one-dimensional. Michael Hordern can do no wrong and Peter Jeffrey has fun, and it is great not to have an intentionally clownish character in Lavache too clownish or annoying.

Not much at all to criticise. For my tastes Donald Sindon overdoes it somewhat as the King.

Did find Bertram&apos;s conversion rather abrupt and rushed, but in all fairness that has always been one of the biggest criticisms of the play.

Summing up, all&apos;s well with this production and it&apos;s one of the best of the BBC Television Shakespeare productions, despite it being one of the lower rated ones. 9/10

'All's Well that Ends All' is not one of Shakespeare's best-known plays, lesser known more like. It is somewhat unorthodox for Shakespeare and was unorthodox at the time, with its depiction of gender role reversals and how surprisingly realistically cynical it is. It is also one of the most difficult Shakespeare plays to stage and interpret, with it being very psychological and having to bring it out compellingly and realistically.

That is a shame because it is an interesting play, both as an overall play and to analyse. 'All's Well that Ends Well' is not one of Shakespeare's best by any stretch, but all Shakespeare plays are worth reading and seeing at least once and 'All's Well that Ends Well' is no exception. It is funny, thought-provoking and sometimes very moving, with Shakespeare's mastery of language and memorable quotes always shining. Despite saying this, this deservedly acclaimed 1981 Elijah Moskinsky production is one of the best of the BBC Televison Shakespeare series. Although some productions are better than others and few of them are flawless, this series is a must watch for the main reason of seeing performances of all of Shakespeare's plays done with taste and with talented actors on board regardless of budget limitations.

Visually, it is one of the best-looking productions of the series. It does look incredibly attractive, gorgeous actually, in especially the sets and it was clear that a lot of care went into the production values, furthermore they were tasteful in look and in how used. Inspired by and based on the paintings of the likes of Vermeer, it is also one of the most visually interesting BBC Television Shakespeare productions. Nicely shot too, intimate yet not static.

Much credit has to go to Moskinsky for the stage direction. Never too cluttered. Never static with tedious stretches. Always done in good taste, without anything that adds nothing to the drama, works against it or leaves a bad taste in the mouth. He does a fine job making the characters compelling, both in character traits and psychologically. Bertram for example is made to be more complex than he can be, both cold with a big ego and sympathetic. Likewise with the character interaction, a prime example being with Helena and Bertram, which is at times remarkably tender and grows emotionally. What makes 'All's Well that Ends Well' problematic to stage does not phase Moshinsky. The balance of comedy and drama is funny and poignant and beautifully balanced.

It is hard not to expect fine performances from a talented cast, and the same can be said for all the productions of the series. Here we get them and more. The standouts for me are Angela Down as a positively text-book Helena, very deeply felt and strong and it felt very human and genuine, and Celia Johnson's dignified Countess. Also found Pippa Guard very charming, and Ian Charleson avoids making Bertram one-dimensional. Michael Hordern can do no wrong and Peter Jeffrey has fun, and it is great not to have an intentionally clownish character in Lavache too clownish or annoying.

Not much at all to criticise. For my tastes Donald Sindon overdoes it somewhat as the King.

Did find Bertram's conversion rather abrupt and rushed, but in all fairness that has always been one of the biggest criticisms of the play.

Summing up, all's well with this production and it's one of the best of the BBC Television Shakespeare productions, despite it being one of the lower rated ones. 9/10

Helena loves Bertram but he's of noble birth, while she's just a doctor's daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure him and win her the right to marry Bertram. But does Bertram want to marry her?

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