Reassemblage: by Chinese-American Feminist Filmmaker Trinh T. Minh-ha

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Reassemblage: From the Firelight to the Screen

Reassemblage: From the Firelight to the Screen (1983)

A short film which documents the lives of women in a rural Senegal.

Trinh T. Minh-ha

Interesting experimental documentary

I watched this film in my Woman &amp; Film class. Filmmaker Trihn Mihn-ha&apos;s experimental documentary &quot;Reassemblage&quot; is for all intents and purposes a film about the people of Senegal. But Trihn has a higher purpose in mind. The film if self-reflexive in that as it is as much about documentaries themselves as it is about the people of Senegal. Trihn calls into question the conventions of the documentary and how such films have the power to manipulate the way in which the audience sees. She constantly reminds her audience that they are watching a movie through many filmic techniques. For example, at times she cuts sound completely to emphasize the fact that she has the ability to manipulate what we are feeling. By taking away the music (African drumming in this case), a tool filmmakers often rely on to tell us how we SHOULD be feeling, we are left to our own devices and must figure out on our own what we are seeing, what it means to us, and why. At times this makes viewing her film fairly difficult, but ultimately it&apos;s a rather interesting and thought-provoking experience.

I watched this film in my Woman & Film class. Filmmaker Trihn Mihn-ha's experimental documentary "Reassemblage" is for all intents and purposes a film about the people of Senegal. But Trihn has a higher purpose in mind. The film if self-reflexive in that as it is as much about documentaries themselves as it is about the people of Senegal. Trihn calls into question the conventions of the documentary and how such films have the power to manipulate the way in which the audience sees. She constantly reminds her audience that they are watching a movie through many filmic techniques. For example, at times she cuts sound completely to emphasize the fact that she has the ability to manipulate what we are feeling. By taking away the music (African drumming in this case), a tool filmmakers often rely on to tell us how we SHOULD be feeling, we are left to our own devices and must figure out on our own what we are seeing, what it means to us, and why. At times this makes viewing her film fairly difficult, but ultimately it's a rather interesting and thought-provoking experience.

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Reassemblage: From the Firelight to the Screen

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