Couldn't reflect the spirit of the original novel

When looking at Hsu's green raincoat when picking her up from the port: Your raincoat looks like a medicine jar.

After a short pause: You are my medicine.

Chow Yun-Fat and Cora Miao in Love in a Fallen City (1984)

Chow Yun-Fat

Cora Miao

Gerry Barnett

Eileen Chang

Fengcho

A cynical playboy pursues an introverted divorcee in the decadence of Hong Kong on the eve of the 1941 Japanese invasion.

Ann Hui

Qing cheng zhi lian

A little bit of history

The &quot;fallen city&quot; is Hong Kong during the Japanese occupation in WWII, but most of the story revolves around the time just before the actual falling. While the plush hotel at Repulse Bay where most of the story takes place has been restored and still carries its colonial flavor, the story belongs to another time. This was a time when Pai Liu-So (Cora Miao), a divorcée approaching thirty, was frowned upon for being way ahead of her time. &quot;Don&apos;t think legal papers of divorce would give you the right to everything&quot;, yells her brother who took her back into her family (together with her money that he quickly lost in reckless speculation in the stock market), &quot;laws are made and unmade every day. It&apos;s traditions that really count&quot;.

Fan Liu-yuan (Chow Yun-fat), a westernized, financially successful playboy whom she encounters in Shanghai and then again in Hong Kong sees in her the &quot;perfect Chinese woman&quot;. Most of the story takes place at the hotel in Hong Kong where Pai accompanies generous family friends on a trip. Typically helpless and introvert, scantily educated Pai nevertheless is witty and proud, enough so to deeply attract Fan, who idealizes her despite his abundant experience with women. Pai, who would probably make a successful professional or business woman at a different time in a different place, is practical and looks for a secured relationship in marriage. The seesaw between them goes on until the war and the fall of Hong Kong, when struggling for survival finally brings their souls together, so to speak.

Brought back as one of the week-long Valentine TV specials, Love in a Fallen City is not one of the sweet romances along the line of You&apos;ve Got Mail or Sleepless in Seattle. It&apos;s from a troubled era when western influence challenged traditional values. Even more unique is the pre-WWII colonized world of Hong Kong. Director Ann Hui captures all these elements while moving along this love story that would have been so natural, but for an uncertain, changing world that warped everything.

Miao has the air of silent defiance that is perfect for the role of Pai. A recent stage production of the story, however, portrayed Pai&apos;s character as more positive and cheerful, which I like even better. Chow has all the charm and flamboyance needed to make Fan believable. The excellent rapport between them further confirms the great casting job.

The "fallen city" is Hong Kong during the Japanese occupation in WWII, but most of the story revolves around the time just before the actual falling. While the plush hotel at Repulse Bay where most of the story takes place has been restored and still carries its colonial flavor, the story belongs to another time. This was a time when Pai Liu-So (Cora Miao), a divorcée approaching thirty, was frowned upon for being way ahead of her time. "Don't think legal papers of divorce would give you the right to everything", yells her brother who took her back into her family (together with her money that he quickly lost in reckless speculation in the stock market), "laws are made and unmade every day. It's traditions that really count".

Fan Liu-yuan (Chow Yun-fat), a westernized, financially successful playboy whom she encounters in Shanghai and then again in Hong Kong sees in her the "perfect Chinese woman". Most of the story takes place at the hotel in Hong Kong where Pai accompanies generous family friends on a trip. Typically helpless and introvert, scantily educated Pai nevertheless is witty and proud, enough so to deeply attract Fan, who idealizes her despite his abundant experience with women. Pai, who would probably make a successful professional or business woman at a different time in a different place, is practical and looks for a secured relationship in marriage. The seesaw between them goes on until the war and the fall of Hong Kong, when struggling for survival finally brings their souls together, so to speak.

Brought back as one of the week-long Valentine TV specials, Love in a Fallen City is not one of the sweet romances along the line of You've Got Mail or Sleepless in Seattle. It's from a troubled era when western influence challenged traditional values. Even more unique is the pre-WWII colonized world of Hong Kong. Director Ann Hui captures all these elements while moving along this love story that would have been so natural, but for an uncertain, changing world that warped everything.

Miao has the air of silent defiance that is perfect for the role of Pai. A recent stage production of the story, however, portrayed Pai's character as more positive and cheerful, which I like even better. Chow has all the charm and flamboyance needed to make Fan believable. The excellent rapport between them further confirms the great casting job.

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