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Terug naar Oegstgeest

Terug naar Oegstgeest

1987Movie⏱️ 1h 35m
Drama
6.1
IMDB Rating
236 votes

An artist returns to the stifling atmosphere of the small Dutch village where he grew up, a place marked by morbidity, suppression of emotion, Calvinist hypocrisy and a suffocating patriarchy.

Director
Theo van Gogh
Writers
Theo van Gogh, Jan Wolkers
Stars
Hidde Kuiper, Casper de Boer, Cas Enklaar
Release Date
April 9, 1987
Language
Dutch
Country
Netherlands
🎯 2
Nominations
💬 1
Reviews
📽️ View on IMDB

🎭 Top Cast

👤
Hidde Kuiper
as Kleine Jan
👤
Casper de Boer
as Grote Jan
👤
Cas Enklaar
as Oude Jan
👤
Tom Jansen
as Vader
👤
Geert de Jong
as Moeder
Fedja van Huêt
Fedja van Huêt
as Kleine Peter
👤
Eric Schreurs
as Grote Peter
👤
Leen Jongewaard
as Oom Louis
👤
Jes Vriens
as Koosje
Renée Fokker
Renée Fokker
as Serpentina

🎬 Technical Specs

Color
Color
Production
Movies Film Productions

🏷️ Keywords

villageartistboyjealousymale bonding

🎯 Categories

DutchDrama

⭐ Featured Review

Successful adaptation
by paaskynen2004-11-07

"The novels of Jan Wolkers have been regularly filmed ever since Turks Fruit (Turkish Delight, filmed by Paul Verhoeven) became an international success in 1973. Terug naar Oegstgeest is one of the earlier works still much influenced by Jan's unhappy childhood in a fundamentalist Christian family during the war years, comparable in tone with Kort Amerikaans (1979). Terug naar Oegstgeest features the return of an artist to his roots in a small Dutch village after the death of his parents, whom he hated for their narrow mindedness and hypocrisy brought on by their faith. This return to past..."

💡 Did You Know?

There are references to other works of author Jan Wolkers: in the store, the customer asks for Turkish delight, a reference to Turkish Delight (1973), adapted from Wolkers' eponymous book. And Peter's girlfriend is called Serpentina, after Wolkers' novel 'Serpentina's Petticoat'.

📖 Synopsis

An artist returns to the stifling atmosphere of the small Dutch village where he grew up, a place marked by morbidity, suppression of emotion, Calvinist hypocrisy and a suffocating patriarchy.