Do movies-made-for-Brit-TV have a lock on male nudity?

Julian Glover, Jane Asher, Kate Buffery, and Suzanna Hamilton in Wish Me Luck (1987)

Michael Caine, Jeremy Northam, John Neville, and Tilda Swinton in The Statement (2003)

Paul McGann and Keeley Hawes in Our Mutual Friend (1998)

George Baker, Keith Barron, John Castle, and Amanda Redman in Ruth Rendell Mysteries (1987)

Michael Gambon, Tom Hollander, Anthony Howell, and Penelope Wilton in Wives and Daughters (1999)

Jeremy Northam, Douglas Hodge, and Saira Todd in A Fatal Inversion (1992)

Adam's playing lord of the manor, he just sacked the gardener.

Well I don't think he should have let him go! You have to keep this house up, cherish it for your great-uncle's sake.

Oh yes, please! I would like to become a member of the Grown-Ups Club, please rush me a subscription form and a prospectus for a musty afterlife.

Douglas Hodge

Jeremy Northam

Rachel Joyce

After Adam inherits a country house from his great uncle, he and his friend Rufus decide to spend the summer there instead of abroad. An odd assortment of &apos;house guests&apos; turns up through different means and it&apos;s an uneasy mix at b...

A Fatal Inversion

Now that we have your attention -- yes, there&apos;s actually quite a bit of attractive, hippie-ish, naked romping in this film, which flashbacks a lot. The same actors play themselves at 30-ish as well as ten years before -- quite authentically, it&apos;s not just lighting, their very movements say &quot;young&quot;.  A haunting tale, full of the carelessness of youth and the fear of discovery now that middle age, pride of place, and self-created family have begun to appear.  Twists and turns, ending in an unjust but completely believable finish.

Now that we have your attention -- yes, there's actually quite a bit of attractive, hippie-ish, naked romping in this film, which flashbacks a lot. The same actors play themselves at 30-ish as well as ten years before -- quite authentically, it's not just lighting, their very movements say "young".  A haunting tale, full of the carelessness of youth and the fear of discovery now that middle age, pride of place, and self-created family have begun to appear.  Twists and turns, ending in an unjust but completely believable finish.

After Adam inherits a country house from his great uncle, he and his friend Rufus decide to spend the summer there instead of abroad. An odd assortment of 'house guests' turns up through different means and it's an uneasy mix at best. A decade afterwards, the bodies of a young woman and an infant are discovered in the woods behind the house. As the police investigate, they naturally look to Adam as former owner of the house, and what happened all those years before starts to catch up with him.

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A Fatal Inversion

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