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this and Spaceballs are Brooks doing his best "family" films

Unlike other Robin Hoods I do it with an English accent

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Mel Brooks, Bill Pullman, John Candy, Rick Moranis, and Daphne Zuniga in Spaceballs (1987)

Mel Brooks and Cleavon Little in Blazing Saddles (1974)

Kevin Costner in Robin Hood: Prince of Thieves (1991)

Mel Brooks, Leslie Nielsen, Lysette Anthony, Peter MacNicol, Steven Weber, and Amy Yasbeck in Dracula: Dead and Loving It (1995)

Gene Wilder, Marty Feldman, and Peter Boyle in Young Frankenstein (1974)

Charlie Sheen in Hot Shots! Part Deux (1993)

Mel Brooks, Madeline Kahn, Cloris Leachman, Ron Carey, Harvey Korman, and Howard Morris in High Anxiety (1977)

Mel Brooks, Dom DeLuise, and Marty Feldman in Silent Movie (1976)

Austin Powers: International Man of Mystery

Mike Myers, Cynthia LaMontagne, Cindy Margolis, Barbara Moore, and Donna W. Scott in Austin Powers: International Man of Mystery (1997)

Cary Elwes in Robin Hood: Men in Tights (1993)

I've come to warn you that if you do not stop levying these evil taxes, I shall lead the good people of England in a revolt against you.

Because, unlike some other Robin Hoods, I can speak with an English accent.

Tracey Ullman and Roger Rees in Robin Hood: Men in Tights (1993)

Cary Elwes and Dave Chappelle in Robin Hood: Men in Tights (1993)

Richard Lewis in Robin Hood: Men in Tights (1993)

Cary Elwes, Mel Brooks, Amy Yasbeck, Mark Blankfield, Richard Lewis, and Matthew Porretta in Robin Hood: Men in Tights (1993)

Cary Elwes and Eric Allan Kramer in Robin Hood: Men in Tights (1993)

Eric Allan Kramer in Robin Hood: Men in Tights (1993)

Cary Elwes

Richard Lewis

Roger Rees

J.D. Shapiro

Evan Chandler

Mel Brooks

A spoof of Robin Hood in general, and Robin Hood: Prince of Thieves (1991) in particular.

Robin Hood: Men in Tights

this and Spaceballs are Brooks doing his best &quot;family&quot; films

Like many a child born in the 1980&apos;s, I grew up on the Mel Brooks films that weren&apos;t necessarily the &apos;racier&apos; ones like Blazing Saddles and History of the World part 1 (I saw those, of course, though not as frequently as now), but the ones meant for the &quot;whole family&quot;, Spaceballs, and this film. I knew at the time I wasn&apos;t seeing great art, but just a campy, goofy, though always laugh-worthy take on Robin Hood and/or adventure movies. But calling it a family movie in quotes means that a) adults really can enjoy it as much as kids, if not more because of the little in-jokes and silly vulgarities, and b) once a kid sees it, when he revisits it, as I have a few times, it&apos;s still as fresh but with some things not quite understood the first time around. It&apos;s a comedy that is not only filled with jokes at Robin Hood movies and other movies (Godfather of course, as well as little mentions for other movies of modern times), but one that references Brooks&apos;s own movies as well; this is a filmmaker who isn&apos;t above poking fun at even his own style.

Basic story- Robin Hood (Cary Elwes in one of his best turns) returns home from the crusades to see things are in peril with King Richard gone, and so goes forth to reclaim his land and to, naturally, rob the rich to feed the poor. Along the way he meets Achoo (Dave Chappelle), butts heads with Prince John (Richard Lewis) and the Sheriff, and of course still pines for the love of Maid Marian. This, of course, is the usual clothesline for Brooks to let the comedy run off into the scenes, and while sometimes a joke may not work or might become stale on a repeat viewing, so much of it sticks that it&apos;s hard not to chuckle. It also helps that a couple of bits are some of the best in any Brooksfilm, such as the Godfather bit (Dom DeLouise at his very best), Brooks&apos;s own cameo as the Rabbbi, Lewis and Chappelle&apos;s acting turns, and an endless slew of quotable lines and a couple of tongue-in-cheek songs. Some of it is obvious, yes, some of it just takes right from the pages of Blazing Saddles, sure, but is it a good time for the right crowd? Definitely- and for parents who grew up on the 70&apos;s Brooks work, it is a fantastic way to introduce the young ones to his work through this (even the suggestive sex jokes and such are not R-rated, all in good fun).

Home Video Trailer from 20th Century Fox Home Entertainment

https://m.media-amazon.com/images/M/MV5BYTdlMmQ4NTItYjA3MC00NzYxLWE5MWEtOTU2ZmVmMWNiOTUwXkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_.jpg

Like many a child born in the 1980's, I grew up on the Mel Brooks films that weren't necessarily the 'racier' ones like Blazing Saddles and History of the World part 1 (I saw those, of course, though not as frequently as now), but the ones meant for the "whole family", Spaceballs, and this film. I knew at the time I wasn't seeing great art, but just a campy, goofy, though always laugh-worthy take on Robin Hood and/or adventure movies. But calling it a family movie in quotes means that a) adults really can enjoy it as much as kids, if not more because of the little in-jokes and silly vulgarities, and b) once a kid sees it, when he revisits it, as I have a few times, it's still as fresh but with some things not quite understood the first time around. It's a comedy that is not only filled with jokes at Robin Hood movies and other movies (Godfather of course, as well as little mentions for other movies of modern times), but one that references Brooks's own movies as well; this is a filmmaker who isn't above poking fun at even his own style.

Basic story- Robin Hood (Cary Elwes in one of his best turns) returns home from the crusades to see things are in peril with King Richard gone, and so goes forth to reclaim his land and to, naturally, rob the rich to feed the poor. Along the way he meets Achoo (Dave Chappelle), butts heads with Prince John (Richard Lewis) and the Sheriff, and of course still pines for the love of Maid Marian. This, of course, is the usual clothesline for Brooks to let the comedy run off into the scenes, and while sometimes a joke may not work or might become stale on a repeat viewing, so much of it sticks that it's hard not to chuckle. It also helps that a couple of bits are some of the best in any Brooksfilm, such as the Godfather bit (Dom DeLouise at his very best), Brooks's own cameo as the Rabbbi, Lewis and Chappelle's acting turns, and an endless slew of quotable lines and a couple of tongue-in-cheek songs. Some of it is obvious, yes, some of it just takes right from the pages of Blazing Saddles, sure, but is it a good time for the right crowd? Definitely- and for parents who grew up on the 70's Brooks work, it is a fantastic way to introduce the young ones to his work through this (even the suggestive sex jokes and such are not R-rated, all in good fun).

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