we find ourselves hopelessly in denial, like the characters portrayed so beautifully before us

Sandrine Bonnaire in Joan the Maid 1: The Battles (1994)

Juliette Binoche and Kristen Stewart in Clouds of Sils Maria (2014)

Virginie Ledoyen and Mathieu Demy in Jeanne and the Perfect Guy (1998)

Nick Nolte and Maggie Cheung in Clean (2004)

Juliette Binoche, Guillaume Canet, Vincent Macaigne, and Christa Théret in Non-Fiction (2018)

Gina Gershon and Connie Nielsen in Demonlover (2002)

We'll be all alone, you know? We won't have a family, money, or a home. You'll have me - and I'll have you. That's all.

Virginie Ledoyen and Cyprien Fouquet in Cold Water (1994)

Virginie Ledoyen

Cyprien Fouquet

László Szabó

Olivier Assayas

When the girl of a rebelious teenage couple finds out she is being sent away, they both believe escaping the rigid order suffocating them is the only way to be free. But is it?

L&apos;eau froide

A little uneven &amp; unfocused, but better than not

I&apos;d be lying if i said this didn&apos;t surprise me a bit. The first act seems geared to distinctly build toward something with heightened emotions and portent of major teenage rebellion; the second act kind of drops narrative flow and just shuffles sideways to the next loose &quot;story beat&quot; before the third resumes active storytelling. True, this was Olivier Assayas&apos; first feature, and even with rough edges and a sense of uncertainty, not knowing entirely what tone it aimed to strike, one can see how he went from this to some of the other pictures he&apos;d go on to make. I just didn&apos;t expect that what mostly comes off as a stark portrait of teen angst and free-wheeling defiance would have prominent moments that deviate from that apparent core, and that try to stitch on intimations of more plot that seems a tad ill-fitting. I do like &apos;L&apos;eau froide,&apos; or &apos;Cold water,&apos; and I think it&apos;s reasonably worthwhile, but it&apos;s not perfect or essential in any regard.

The chief strength here is in the relationship of fiery duo Gilles and Christine; the scene writing and narrative is unquestionably strongest where they and their relationship are centered. That&apos;s a credit as well to stars Virginie Ledoyen and total unknown Cyprien Fouquet, who both inhabit their characters with natural ease and admirable spirit, rather easily keeping us engaged in the process as the tale progresses. What&apos;s regrettable is that where this steps away from that primary thrust, and their directionless rejection of the strictures that are laid out for them, it meanders and kind of languishes. This is especially unfortunate considering how well made the film is at large. Even where the whole falters it&apos;s ably crafted, with adept scene writing and performances; would that they could have been woven in more convincingly. Assayas demonstrates firm, calculated direction, and Denis Lenoir&apos;s smart, dynamic cinematography actually quite stands out as a highlight. The soundtrack is filled with great tunes, the sound department turned in impeccable work, the filming locations are excellent - not least in communicating the pair&apos;s isolation and lack of preparation - and in every other manner &apos;L&apos;eau froide&apos; boasts appreciable skill and care.

I should say, too, that the overall narrative is duly compelling in relating the misadventures of Gilles and Christine; Assayas&apos; screenplay is generally pretty fantastic. The writing needed to be more tightly focused, however, and that truth is borne out in the notably weaker scenes of the first and mostly the second acts. Thankfully what we want is mostly what we get, so while the feature had room for improvement, it&apos;s definitely better than not. And as Assayas has done elsewhere to great success later in his career (e.g. &apos;Personal shopper&apos; and especially &apos;Clouds of Sils Maria&apos;), he mostly keeps the proceedings rather low-key to let the plot speak for itself. By no means is this something that will appeal to all comers, or meet with equal success for all, and even without particular deficiencies I don&apos;t think this was ever going to be a major must-see. Yet while my expectations were mixed and were met unevenly, I&apos;m pleased that I enjoyed &apos;L&apos;eau froide&apos; more than not, and it&apos;s a fair beginning for Assayas&apos; career. Temper your expectations and don&apos;t go out of your way for it, but if you do have the chance to check this out, it&apos;s a decent way to spend one&apos;s time.

When the girl of a rebellious teenage couple finds out she is being sent away, they both believe escaping the rigid order suffocating them is the only way to be free. But is it?

Official Trailer

https://m.media-amazon.com/images/M/MV5BYzg2ZDY0YWMtMDMyNy00NDQyLTgwYjMtYjJjNmUxNjdhMDhmXkEyXkFqcGdeQWxiaWFtb250._V1_.jpg

A little uneven & unfocused, but better than not

I'd be lying if i said this didn't surprise me a bit. The first act seems geared to distinctly build toward something with heightened emotions and portent of major teenage rebellion; the second act kind of drops narrative flow and just shuffles sideways to the next loose "story beat" before the third resumes active storytelling. True, this was Olivier Assayas' first feature, and even with rough edges and a sense of uncertainty, not knowing entirely what tone it aimed to strike, one can see how he went from this to some of the other pictures he'd go on to make. I just didn't expect that what mostly comes off as a stark portrait of teen angst and free-wheeling defiance would have prominent moments that deviate from that apparent core, and that try to stitch on intimations of more plot that seems a tad ill-fitting. I do like 'L'eau froide,' or 'Cold water,' and I think it's reasonably worthwhile, but it's not perfect or essential in any regard.

The chief strength here is in the relationship of fiery duo Gilles and Christine; the scene writing and narrative is unquestionably strongest where they and their relationship are centered. That's a credit as well to stars Virginie Ledoyen and total unknown Cyprien Fouquet, who both inhabit their characters with natural ease and admirable spirit, rather easily keeping us engaged in the process as the tale progresses. What's regrettable is that where this steps away from that primary thrust, and their directionless rejection of the strictures that are laid out for them, it meanders and kind of languishes. This is especially unfortunate considering how well made the film is at large. Even where the whole falters it's ably crafted, with adept scene writing and performances; would that they could have been woven in more convincingly. Assayas demonstrates firm, calculated direction, and Denis Lenoir's smart, dynamic cinematography actually quite stands out as a highlight. The soundtrack is filled with great tunes, the sound department turned in impeccable work, the filming locations are excellent - not least in communicating the pair's isolation and lack of preparation - and in every other manner 'L'eau froide' boasts appreciable skill and care.

I should say, too, that the overall narrative is duly compelling in relating the misadventures of Gilles and Christine; Assayas' screenplay is generally pretty fantastic. The writing needed to be more tightly focused, however, and that truth is borne out in the notably weaker scenes of the first and mostly the second acts. Thankfully what we want is mostly what we get, so while the feature had room for improvement, it's definitely better than not. And as Assayas has done elsewhere to great success later in his career (e.g. 'Personal shopper' and especially 'Clouds of Sils Maria'), he mostly keeps the proceedings rather low-key to let the plot speak for itself. By no means is this something that will appeal to all comers, or meet with equal success for all, and even without particular deficiencies I don't think this was ever going to be a major must-see. Yet while my expectations were mixed and were met unevenly, I'm pleased that I enjoyed 'L'eau froide' more than not, and it's a fair beginning for Assayas' career. Temper your expectations and don't go out of your way for it, but if you do have the chance to check this out, it's a decent way to spend one's time.

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