Anna Amore

Magnum D

Dante

Jace Rocker

Jim Enright

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Black Comedy Done Right

Afrocentric adult fare that delivers with well-shot (by Frank Marino) sex performed by an attractive all black cast. Even the as usually disinterested directorial work of Jim Enright (of ARABIAN/HAUNTED/WESTERN NIGHTS fame) can&apos;t tarnish the infectious sense of fun and general horniness on display here.

The cute story, by Jace Rocker (CHEEKS 2 : THE BITTER END), avoids pandering to racial stereotypes, a fact unfortunately still worth pointing out in today&apos;s climate. One only wishes that some of the funny dialog were better rehearsed as some of the flick&apos;s best lines fall flat. Cab driver Dante has a hot tryst with scheming prostitute Jazz (the beyond voluptuous Anna Amore) in the back of his taxi before she puts a gun to his head, separating him from his hard-earned cash. Humiliated, he tells his colleagues at the company he was robbed be a huge thug instead. Most of them, including his boss (L.T. Dee) who fires him for constantly gambling away his earnings, don&apos;t buy into this. Save for gullible Magnum D (the very handsome guy who was with Lana Sands in SEX SECRETS OF A MISTRESS) who devises a plan to get Dante off the hook.

This amusing plot serves as an adequate framework for the movie&apos;s well done sex scenes, all of them infused with great energy and good cast chemistry. Amore burns up the screen in bookend scenes, but it&apos;s slinky Yasmine Pendavis who steals this show with a scorcher of a three-way involving muscular Mr Marcus and Guy Di Silva, the latter also delivering the feature&apos;s most accomplished bit of acting as the well-meaning Preacher Man.

Afrocentric adult fare that delivers with well-shot (by Frank Marino) sex performed by an attractive all black cast. Even the as usually disinterested directorial work of Jim Enright (of ARABIAN/HAUNTED/WESTERN NIGHTS fame) can't tarnish the infectious sense of fun and general horniness on display here.

The cute story, by Jace Rocker (CHEEKS 2 : THE BITTER END), avoids pandering to racial stereotypes, a fact unfortunately still worth pointing out in today's climate. One only wishes that some of the funny dialog were better rehearsed as some of the flick's best lines fall flat. Cab driver Dante has a hot tryst with scheming prostitute Jazz (the beyond voluptuous Anna Amore) in the back of his taxi before she puts a gun to his head, separating him from his hard-earned cash. Humiliated, he tells his colleagues at the company he was robbed be a huge thug instead. Most of them, including his boss (L.T. Dee) who fires him for constantly gambling away his earnings, don't buy into this. Save for gullible Magnum D (the very handsome guy who was with Lana Sands in SEX SECRETS OF A MISTRESS) who devises a plan to get Dante off the hook.

This amusing plot serves as an adequate framework for the movie's well done sex scenes, all of them infused with great energy and good cast chemistry. Amore burns up the screen in bookend scenes, but it's slinky Yasmine Pendavis who steals this show with a scorcher of a three-way involving muscular Mr Marcus and Guy Di Silva, the latter also delivering the feature's most accomplished bit of acting as the well-meaning Preacher Man.

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