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Nicolas Rimsky

Dolly Davis

Sylvio De Pedrelli

Michel Linsky

Raoul Ploquin

Pierre Colombier

Paris en cinq jours

Here&apos;s why the French like Jerry Lewis.

I saw &apos;Paris in Five Days&apos; in October 2008 at the Cinema Muto festival in Pordenone. They screened a print from Cinematheque Francaise with the original French intertitles. I&apos;m glad that I saw this movie in its original language. The two main characters are Americans who only barely parley-voo, and there are some very amusing Miles Kington-style dialogue titles written in mangled Franglais. This intentionally inept dialogue would likely be less funny in any other language.

Interestingly, the print screened at Pordenone is a silent version of a 1930 sound reissue, apparently with some scenes missing.

Harry Mascaret (is that meant to be an American name?) is a Chicago accountant who&apos;s always wanted to see Paris, although his knowledge of that city largely consists of the Three Musketeers. He takes his girlfriend Dolly on a whirlwind tour of Paree, intending to propose to her in front of the Cathedral of Notre Dame. (I guess the Eiffel Tower wasn&apos;t mentioned in any of those Dumas novels he&apos;s been reading.)

American hero Mascaret is played by Russian actor Nicolas Rimsky, who also co-directed from a Russian scenarist&apos;s script. American heroine Dolly is played by an actress cried Dolly Davis who appears to have been French despite her name.

This is an episodic film, with the Yank couple incurring mayhem at first one Parisian locale, then another. They cross paths with a suave Italian count who, being a suave Italian count, tries to seduce Dolly.

Rimsky overacts dreadfully throughout this movie, and his overacting is made even worse because his portrayal of this gormless American seems to be based on a French (or Franco-Russian) stereotype of what Americans are supposed to be like. Did you ever wonder why Jerry Lewis is so popular in France? It&apos;s because the French have got their minds made up about what Americans are like, and Jerry Lewis embodies that stereotype. This fellow Rimsky seems to be doing a bad imitation of Jerry Lewis!

Despite an uneven pace and some dull patches, this is a funny movie with some fascinating views of 1920s Paris. But it would&apos;ve been a much better comedy with a different actor in the lead role. I&apos;m in a good mood, though, so I&apos;ll rate this movie 8 out of 10.

I saw 'Paris in Five Days' in October 2008 at the Cinema Muto festival in Pordenone. They screened a print from Cinematheque Francaise with the original French intertitles. I'm glad that I saw this movie in its original language. The two main characters are Americans who only barely parley-voo, and there are some very amusing Miles Kington-style dialogue titles written in mangled Franglais. This intentionally inept dialogue would likely be less funny in any other language.

Interestingly, the print screened at Pordenone is a silent version of a 1930 sound reissue, apparently with some scenes missing.

Harry Mascaret (is that meant to be an American name?) is a Chicago accountant who's always wanted to see Paris, although his knowledge of that city largely consists of the Three Musketeers. He takes his girlfriend Dolly on a whirlwind tour of Paree, intending to propose to her in front of the Cathedral of Notre Dame. (I guess the Eiffel Tower wasn't mentioned in any of those Dumas novels he's been reading.)

American hero Mascaret is played by Russian actor Nicolas Rimsky, who also co-directed from a Russian scenarist's script. American heroine Dolly is played by an actress cried Dolly Davis who appears to have been French despite her name.

This is an episodic film, with the Yank couple incurring mayhem at first one Parisian locale, then another. They cross paths with a suave Italian count who, being a suave Italian count, tries to seduce Dolly.

Rimsky overacts dreadfully throughout this movie, and his overacting is made even worse because his portrayal of this gormless American seems to be based on a French (or Franco-Russian) stereotype of what Americans are supposed to be like. Did you ever wonder why Jerry Lewis is so popular in France? It's because the French have got their minds made up about what Americans are like, and Jerry Lewis embodies that stereotype. This fellow Rimsky seems to be doing a bad imitation of Jerry Lewis!

Despite an uneven pace and some dull patches, this is a funny movie with some fascinating views of 1920s Paris. But it would've been a much better comedy with a different actor in the lead role. I'm in a good mood, though, so I'll rate this movie 8 out of 10.

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Paris en cinq jours

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