Tom Byron

Chris Collins

Debi Diamond

Hugh Jorgan

Fred J. Lincoln

Saturday Night Porn

Lifeless from Canoga Park

Comedy has been a part of adult entertainment from its earliest years, and parodies not far behind, reaching a high (or low) in the &apos;00s and &apos;10s when THIS AIN&apos;T SUPERTRAIN XXX was surely the next in the pipeline.

Saturday Night Porn is a middle ground between those more involved cash-ins and the looser world of HANNAH DOES HER SISTERS. Borrowing a slew of recurring features from the &quot;golden age&quot; of SNL as well as then-current features, SNP also features several of the male performers of the day who dabbled in comedy, from Mike Horner to Ron Jeremy (announcing duties/Deep Thoughts homage only). Jonathan Morgan, one of the more frequently used &apos;comedians&apos; of this era, shows up in future installments.

Unfortunately, SNP veers a little too closely to SNL in one major respect - most of the &apos;sketches&apos; feel endless and lack energy. Just compare the content of this film to a particular sex scene in quasi-softcore comedy Kentucky Fried Movie to see how hot the film could have been.

&quot;Live from...&quot; intro and structural ripoffs may be there, but you couldn&apos;t have a live audience. Fred Lincoln substituted a laugh/applause track which adds a strangely ghoulish feel to the film.

We start with Mike Horner and Tom Byron (not averse to some comedy himself, although Horner seems to be having more fun here) a Hanz &amp; Franz parody ending in a threeway with Chris Collins, getting inevitable use out of a cruder version of the &quot;we want to pump...you up,&quot; catchphrase.

Next is Patricia Kennedy and Marc Wallice as The Coneh...er...The Pec*erheads. The highlight of this is Kennedy&apos;s contortions as she tries to pleasure herself before hubby arrives.

Debi Diamond and Melanie Moore appear as Two Wild and Horny Bitc*es, which is the answer you&apos;d get if you ever wondered what if Dan Aykroyd and Steve Martin didn&apos;t really try for accents but did have sex with each other. I&apos;d guess the average viewer would be more inclined to enjoy Diamond and Moore.

Moore and Horner return for Sexline Update, with Moore as anchorwoman (in the middle of a 20-year span of SNL not having female anchors - I suppose SNP wins in the feminist stakes). Horner does a cheaply written Emily Litella to lead up to a very frantic desk-set sex scene.

Last, but not least, is their take on the infamous It&apos;s Pat sketches. As porn with trans performers was even more niche at this time, you instead have Chris Collins in a more subdued but surprisingly decent turn. The solution to Wallice and Lana Sands&apos; confusion over Pat&apos;s gender is to have a threesome. After a good buildup, the most memorable part of this overextended sequence may be that Wallice is wearing the same striking green bikini briefs that stole the show in MODEL WIFE.

I will be curious as to how the next two installments compare.

Comedy has been a part of adult entertainment from its earliest years, and parodies not far behind, reaching a high (or low) in the '00s and '10s when THIS AIN'T SUPERTRAIN XXX was surely the next in the pipeline.

Saturday Night Porn is a middle ground between those more involved cash-ins and the looser world of HANNAH DOES HER SISTERS. Borrowing a slew of recurring features from the "golden age" of SNL as well as then-current features, SNP also features several of the male performers of the day who dabbled in comedy, from Mike Horner to Ron Jeremy (announcing duties/Deep Thoughts homage only). Jonathan Morgan, one of the more frequently used 'comedians' of this era, shows up in future installments.

Unfortunately, SNP veers a little too closely to SNL in one major respect - most of the 'sketches' feel endless and lack energy. Just compare the content of this film to a particular sex scene in quasi-softcore comedy Kentucky Fried Movie to see how hot the film could have been.

"Live from..." intro and structural ripoffs may be there, but you couldn't have a live audience. Fred Lincoln substituted a laugh/applause track which adds a strangely ghoulish feel to the film.

We start with Mike Horner and Tom Byron (not averse to some comedy himself, although Horner seems to be having more fun here) a Hanz & Franz parody ending in a threeway with Chris Collins, getting inevitable use out of a cruder version of the "we want to pump...you up," catchphrase.

Next is Patricia Kennedy and Marc Wallice as The Coneh...er...The Pec*erheads. The highlight of this is Kennedy's contortions as she tries to pleasure herself before hubby arrives.

Debi Diamond and Melanie Moore appear as Two Wild and Horny Bitc*es, which is the answer you'd get if you ever wondered what if Dan Aykroyd and Steve Martin didn't really try for accents but did have sex with each other. I'd guess the average viewer would be more inclined to enjoy Diamond and Moore.

Moore and Horner return for Sexline Update, with Moore as anchorwoman (in the middle of a 20-year span of SNL not having female anchors - I suppose SNP wins in the feminist stakes). Horner does a cheaply written Emily Litella to lead up to a very frantic desk-set sex scene.

Last, but not least, is their take on the infamous It's Pat sketches. As porn with trans performers was even more niche at this time, you instead have Chris Collins in a more subdued but surprisingly decent turn. The solution to Wallice and Lana Sands' confusion over Pat's gender is to have a threesome. After a good buildup, the most memorable part of this overextended sequence may be that Wallice is wearing the same striking green bikini briefs that stole the show in MODEL WIFE.

I will be curious as to how the next two installments compare.

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