Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche

Stephen Baldwin and Kyle MacLachlan in Xchange (2000)

Amanda Peterson and Patrick Dempsey in Can't Buy Me Love (1987)

Christina Ricci, Winona Ryder, Cher, and Bob Hoskins in Mermaids (1990)

Penelope Ann Miller in The Gun in Betty Lou's Handbag (1992)

Nastassja Kinski and William Baldwin in Say Nothing (2001)

Christian Slater in Pump Up the Volume (1990)

This is crazy. Wish we had some sorta sign.

This was my mother's sweater. She was wearing it when she died, after she ate a grilled-cheese sandwich.

That's not... really helpful to us in any way, is it?

Liane Balaban in New Waterford Girl (1999)

Liane Balaban and Tara Spencer-Nairn in New Waterford Girl (1999)

Tara Spencer-Nairn in New Waterford Girl (1999)

Liane Balaban

Tara Spencer-Nairn

Mary Walsh

Tricia Fish

A gifted teenager dreaming of life beyond her small town becomes inspired when a 15-year-old girl from New York moves in next door.

Allan Moyle

New Waterford Girl

Repeated Viewings Recommended

Film doesn&apos;t get much better than Alan Moyle&apos;s very original &quot;New Waterford Girl&quot;. That said, prospective viewers should understand that &quot;New Waterford Girl&quot; withholds much of its pleasure from the first viewing, be prepared to watch it at least three times which is not difficult because it is one of those films with unexpected depth that gets better with each viewing. Even your reaction to the cinematography will change with each viewing as the unremittingly grim visuals (subjects are often framed against gray skies and windswept beaches) which initially make you shiver become increasing beautiful.

The main character, 15 year old Moonie (Liane Balaban), is one of those freaks of genetics who occasionally spring up in unexpected places, whose comparative intelligence and ambition set them apart from family and peers. She loves her family but has simply outgrown the small Nova Scotia town of New Waterford and dreams of getting out. Once engaged and observant, she now drifts around town with her face in a book, having written off and distanced herself from everyone around her. Boys are attracted to Mooney (plausible since Balaban looks like a cross between Natalie Portman and Winona Rider) but she is focused on getting out rather than on boys. It is a dream part, as Balaban through behavior and voice-over must somehow balance Moonie&apos;s generally unpleasant demeanor and too soon maturity with the fragility and vulnerability of a young girl. 

Enter new next door neighbor Lou Benzoa (Tara Spencer-Nairn) who has just moved to New Waterford from the Bronx with her mother (Cathy Moriarty). In homage to Moriarty&apos;s &quot;Raging Bull&quot; character, Lou&apos;s father is a jailed boxer who has taught Lou how to throw a punch. Lou is as extroverted and impulsive as Mooney is defensive and introspective. It is in the Moonie-Lou friendship that Moyle&apos;s film transcends the traditional female bonding story. Rather that fall into the trap of having the two girls immediately hit it off, Moonie is resistant. But Lou keeps trying and eventually Moonie comes around. 

Lou immediately embraces the small town experience and her fresh perspective on the things that Mooney has stopped noticing begins to subtly change Mooney&apos;s feeling about her hometown. An especially beautiful scene involves Mooney joining in as her two sisters (if they look like sisters it is because they are played by actresses who are sisters-nice casting) sing a traditional song around a campfire. Mooney&apos;s internal conflict (and increasingly difficult decision) between staying or going is what the film is about but Moyle artfully soft-pedals this dynamic by packaging it around a humorous parallel story about Mooney&apos;s scheme to escape from New Waterford. 

In this small Irish Catholic town the very mention of the blessed Virgin is enough to make potential sinners stop dead in their tracks. Much of the humor comes from Lou&apos;s ability to knock out boys with a sucker punch. The local girls enlist her as an agent of the blessed Virgin who can punish their two-timing boyfriends. In &quot;Times Square&quot; Moyne used a similar contrivance, having the two girls drop television sets from the Times Square rooftops. While both are mildly ridiculous, beneath the surface of each there is considerable food for thought as metaphors for issues raised by the films; in &quot;New Waterford Girl&quot; these include infidelity, sexual awakening, forbidden love, and small-minded parochialism. 

&quot;New Waterford Girl&quot; is transcendent because of the pairing of Balaban and Spencer-Nairm. The two actresses not only hold their own with each other, they are perfect complements and Moyle skillfully uses reaction shots that allow them to enhance each other&apos;s performances.

WARNING: Although most of the technical production elements (cinematography, production design, editing) are excellent, the audio (at least on the DVD) is second rate (more accurately second to all). Many lines are a challenge to make out and several are simply unintelligible. While this does not ruin the film it definitely weakens it. The audio deficiency is compounded by the puzzling failure to provide a captioning option; someone should roast in hell for that omission. If ever a DVD needed subtitles this is the one. At least Showtime has provided subtitles in the version they are currently running. If you feel inspired you can find the script at (www.geocities.com/nwgmovie/index.html). The DVD lacks any useful special features; it has one trailer and a short (rather lame) featurette. Since there are no commentaries and the VHS version (also in widescreen) and cheaper, VHS might be the way to go.

The music is excellent, too bad no CD is available.

Then again, what do I know? I&apos;m only a child.

Film doesn't get much better than Alan Moyle's very original "New Waterford Girl". That said, prospective viewers should understand that "New Waterford Girl" withholds much of its pleasure from the first viewing, be prepared to watch it at least three times which is not difficult because it is one of those films with unexpected depth that gets better with each viewing. Even your reaction to the cinematography will change with each viewing as the unremittingly grim visuals (subjects are often framed against gray skies and windswept beaches) which initially make you shiver become increasing beautiful.

The main character, 15 year old Moonie (Liane Balaban), is one of those freaks of genetics who occasionally spring up in unexpected places, whose comparative intelligence and ambition set them apart from family and peers. She loves her family but has simply outgrown the small Nova Scotia town of New Waterford and dreams of getting out. Once engaged and observant, she now drifts around town with her face in a book, having written off and distanced herself from everyone around her. Boys are attracted to Mooney (plausible since Balaban looks like a cross between Natalie Portman and Winona Rider) but she is focused on getting out rather than on boys. It is a dream part, as Balaban through behavior and voice-over must somehow balance Moonie's generally unpleasant demeanor and too soon maturity with the fragility and vulnerability of a young girl. 

Enter new next door neighbor Lou Benzoa (Tara Spencer-Nairn) who has just moved to New Waterford from the Bronx with her mother (Cathy Moriarty). In homage to Moriarty's "Raging Bull" character, Lou's father is a jailed boxer who has taught Lou how to throw a punch. Lou is as extroverted and impulsive as Mooney is defensive and introspective. It is in the Moonie-Lou friendship that Moyle's film transcends the traditional female bonding story. Rather that fall into the trap of having the two girls immediately hit it off, Moonie is resistant. But Lou keeps trying and eventually Moonie comes around. 

Lou immediately embraces the small town experience and her fresh perspective on the things that Mooney has stopped noticing begins to subtly change Mooney's feeling about her hometown. An especially beautiful scene involves Mooney joining in as her two sisters (if they look like sisters it is because they are played by actresses who are sisters-nice casting) sing a traditional song around a campfire. Mooney's internal conflict (and increasingly difficult decision) between staying or going is what the film is about but Moyle artfully soft-pedals this dynamic by packaging it around a humorous parallel story about Mooney's scheme to escape from New Waterford. 

In this small Irish Catholic town the very mention of the blessed Virgin is enough to make potential sinners stop dead in their tracks. Much of the humor comes from Lou's ability to knock out boys with a sucker punch. The local girls enlist her as an agent of the blessed Virgin who can punish their two-timing boyfriends. In "Times Square" Moyne used a similar contrivance, having the two girls drop television sets from the Times Square rooftops. While both are mildly ridiculous, beneath the surface of each there is considerable food for thought as metaphors for issues raised by the films; in "New Waterford Girl" these include infidelity, sexual awakening, forbidden love, and small-minded parochialism. 

"New Waterford Girl" is transcendent because of the pairing of Balaban and Spencer-Nairm. The two actresses not only hold their own with each other, they are perfect complements and Moyle skillfully uses reaction shots that allow them to enhance each other's performances.

WARNING: Although most of the technical production elements (cinematography, production design, editing) are excellent, the audio (at least on the DVD) is second rate (more accurately second to all). Many lines are a challenge to make out and several are simply unintelligible. While this does not ruin the film it definitely weakens it. The audio deficiency is compounded by the puzzling failure to provide a captioning option; someone should roast in hell for that omission. If ever a DVD needed subtitles this is the one. At least Showtime has provided subtitles in the version they are currently running. If you feel inspired you can find the script at (www.geocities.com/nwgmovie/index.html). The DVD lacks any useful special features; it has one trailer and a short (rather lame) featurette. Since there are no commentaries and the VHS version (also in widescreen) and cheaper, VHS might be the way to go.

The music is excellent, too bad no CD is available.

Then again, what do I know? I'm only a child.

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