All the labors of a modern battle are shown

La battaglia delle due palme

The battle of Two Palms was fought at Benghazi, in Tripoli, and this picture, a two-reel subject, was taken on the ground, after the battle, and under the direction of the King of Italy&apos;s official photographer. It follows the historical record of the battle and is said to be an accurate illustration of it. The village of Benghazi seems to be an oasis surrounded by a wide reach of rolling desert, through which the horses dragging the field guns have to labor. A small fortress protects the village on the desert side. As the enemy approaches a signal is sent to the camp from this. We are then shown the strife that follows. The artillery gallops over the plain to check the advancing enemy. The infantry, at double quick, is then thrown against him in the present day fashion, in extended order, followed by supporting columns, and with forward rushes after volleying. We see the high-power, smokeless powder, like wintry breath, dart out from the rifles. All the labors of a modern battle are shown. It is a stirring picture; but, as instruction, it is of more moment. A series of scenes shows the result of heavy firing. Horribly wounded corpses are strewn along the enemy&apos;s line. It is a remarkable picture. - The Moving Picture World, August 17, 1912

The battle of Two Palms was fought at Benghazi, in Tripoli, and this picture, a two-reel subject, was taken on the ground, after the battle, and under the direction of the King of Italy's official photographer. It follows the historical record of the battle and is said to be an accurate illustration of it. The village of Benghazi seems to be an oasis surrounded by a wide reach of rolling desert, through which the horses dragging the field guns have to labor. A small fortress protects the village on the desert side. As the enemy approaches a signal is sent to the camp from this. We are then shown the strife that follows. The artillery gallops over the plain to check the advancing enemy. The infantry, at double quick, is then thrown against him in the present day fashion, in extended order, followed by supporting columns, and with forward rushes after volleying. We see the high-power, smokeless powder, like wintry breath, dart out from the rifles. All the labors of a modern battle are shown. It is a stirring picture; but, as instruction, it is of more moment. A series of scenes shows the result of heavy firing. Horribly wounded corpses are strewn along the enemy's line. It is a remarkable picture. - The Moving Picture World, August 17, 1912

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La battaglia delle due palme

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