Las crónicas de Narnia: La travesía del viajero del alba

Knight and Day/I Am Love/The Killer Inside Me

How many of the Narnia books have been made into movies so far?

Why aren't they filming the books in the correct order?

How much time has passed in Narnia since the events of "Prince Caspian"?

As always, it's stylishly produced, but most of the magic of the first two films seems to have been lost.

Why bother adapting a book if you're just going to rewrite the plot???

Splendid adaption if you get over some bad dialogue

Way above my expectations, but watch the 2D version

Visually Outstanding. A decent movie overall

Liam Neeson, Eddie Izzard, William Moseley, Anna Popplewell, Skandar Keynes, Ben Barnes, and Georgie Henley in The Chronicles of Narnia: Prince Caspian (2008)

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

Michael Madsen, Liam Neeson, Dawn French, Jim May, William Moseley, Anna Popplewell, Cameron Rhodes, Tilda Swinton, Ray Winstone, Skandar Keynes, Shane Rangi, and Georgie Henley in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Percy Jackson & the Olympians: The Lightning Thief

Logan Lerman in Percy Jackson & the Olympians: The Lightning Thief (2010)

Night at the Museum: Battle of the Smithsonian

Robin Williams, Hank Azaria, Christopher Guest, Ben Stiller, Brad Garrett, Owen Wilson, Amy Adams, Alain Chabat, Steve Coogan, Patrick Gallagher, Bill Hader, Mizuo Peck, Jon Bernthal, and Crystal the Monkey in Night at the Museum: Battle of the Smithsonian (2009)

Jonathan R. Scott, Ailsa Berk, Sophie Cook, Richard Dempsey, William Todd-Jones, Barbara Kellerman, and Sophie Wilcox in The Lion, the Witch & the Wardrobe (1988)

Prince Caspian and the Voyage of the Dawn Treader

Prince Caspian and the Voyage of the Dawn Treader (1989)

Robin Williams, Ben Stiller, Pierfrancesco Favino, Patrick Gallagher, Mizuo Peck, Rami Malek, and Crystal the Monkey in Night at the Museum (2006)

Johnny Depp, Freddie Highmore, AnnaSophia Robb, Julia Winter, Jordan Fry, and Philip Wiegratz in Charlie and the Chocolate Factory (2005)

Dan Fogler, Alison Sudol, Eddie Redmayne, and Katherine Waterston in Fantastic Beasts and Where to Find Them (2016)

Johnny Depp in Alice in Wonderland (2010)

Logan Lerman, Brandon T. Jackson, and Alexandra Daddario in Percy Jackson: Sea of Monsters (2013)

The Chronicles of Narnia: The Voyage of the Dawn Treader

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

In your world, I have another name. You must learn to know me by it. That was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.

Langham Place (Elegie) [London Again (Suite)]

Terry Norris in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Simon Pegg in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Skandar Keynes in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Liam Neeson, Skandar Keynes, Ben Barnes, and Georgie Henley in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Michael Apted and Georgie Henley in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Georgie Henley in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Skandar Keynes, Ben Barnes, and Georgie Henley in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Skandar Keynes, Ben Barnes, Georgie Henley, and Laura Brent in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

How long is The Chronicles of Narnia: The Voyage of the Dawn Treader?

Ben Barnes

Skandar Keynes

Georgie Henley

Christopher Markus

Stephen McFeely

Michael Petroni

Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they sail with King Caspian to help Narnian lords banished by an evil usurper of the throne.

Michael Apted

Narnian in essence yet shallow in fun and excitement

Perhaps the most moralistic of C.S. Lewis&apos; Narnia novels would be &apos;The Voyage of the Dawn Treader&apos;, which is episodic in style with the Dawn Treader&apos;s aimless journey through Narnian seas. Michael Apted takes the helm of direction and brings this adventure to us in 3D; the first for Narnia.

Susan and Peter (King &amp; Queen) have grown up now and reside in America where Narnia has no access. The teenagers Lucy (Georgie Hensley) and Edmund (Skander Keynes) who are in Britain in the midst of WW2, along with their unnerving cousin Eustace (Will Poulter) catch the moving waters in a painting in their room. Soon, the water flows into the room and in a spectacular fashion, they are underwater, only to be pulled up by Prince Caspian in front of the hull of the Dawn Treader. Welcome to Narnia! The trio are briefly introduced to the ship&apos;s crew that include the swashbuckling mouse Reepicheep and a Narnian buffalo sailor. Their initial inquiry about Narnia&apos;s state of affairs and the Dawn Treader&apos;s voyage reveal the book and film&apos;s weakness - Prince Caspian admits that there are no problems in Narnia. Peace rules the lands and barring the exploration of the farthest stretches of the waters where Aslan&apos;s country mythically exists, the ship has little to do on its voyage. Thus, they decide to go island hopping where, just on the first one, they are taken as prisoners and almost sold as slaves until a heroic rescue by the crew saves the day. It is within the walls of the prison that Prince and Edmund find out about the 7 missing lords and their magical swords. Oh and there&apos;s a LOST like smoke monster that devours boats full of slaves. 

The most striking aspect about &apos;The Chronicles of Narnia: Voyage of the Dawn Treader&apos; is that it lacks the mystery, build up and joy of discovery of the first movie. At the same time, it eliminates the excessive CGI and Lord of the Rings inspired battle sequences from the second installment and thus proves to be a closer- to- book adaptation. The focus is on retaining Narnia&apos;s adventures as an escape for children with funny bits that are memorable especially the endless picking of Eustace by the witty Reepicheep and the monopodial dwarfs on the island. Deeper into the story&apos;s entertaining layers, Evil tempts the protagonists in different ways and overcoming the lure is the didactic experience of C.S. Lewis&apos; edition that is well captured by Michael Apted. Lucy&apos;s battle against her temptation to be as beautiful as her sister, Edmund&apos;s envy of Prince Caspian&apos;s position as the leader and Eustace&apos;s greed that draws him to hidden treasures are all lessons to be learnt in the battle of good v/s evil. On one hand, the white witch tempts Edmund to join the evil forces while Aslan, in his Christ like rendition guides Lucy on the right path. 

The special effects involving the sea serpent in the cove are excellent and provide an ugly yet thrilling experience in 3D while the magical touches through the book of incarnations and entry to Aslan&apos;s country are simply enchanting to look at. Discovery of the 7 lords and their swords is itself a moral journey for everyone and while C.S. Lewis did brilliantly in detailing those aspects, Apted is short of time and just like all Narnian films, this one too falls short of the book&apos;s magical effect. But then again, Michael Apted is no Peter Jackson. 

The climax is a sad farewell to what we were introduced to just 2 movies ago but The Silver Chair may prove to be an altogether different experience with Eustace. Will Poulter&apos;s brilliantly convincing portrayal of the annoying kid is the highlight of the film and the focus on him is a well thought out plan for the upcoming movies. Georgie Hensley IS Lucy as C.S. Lewis had once imagined and therefore, her presence is always charming. The rest of the cast could&apos;ve done better with more focus on their characters had it not been for the time constraint; which, Apted has wisely been strict about. The shortest of the 3 films, yet least action packed, &apos;Voyage of the Dawn Treader&apos; betters its predecessor by being closer to the book with moral implications and child-like adventures. The film is beautiful to look at but it leaves you craving for more fun, more adventure and sometimes, more heroism. It is by no means uplifting and we do miss Aslan in action at the required times. This is Aslan&apos;s shortest time on screen and that is a tragedy for the film indeed. Nevertheless, for loyal fans of Narnia, this is purely Narnian in essence but not an epic by motion picture standards. 


* 7.033 on a scale of 1-10.


Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.

The Chronicles of Narnia: The Voyage of the Dawn Treader - Trailer #2

https://m.media-amazon.com/images/M/MV5BMTk2MzkzMzc5M15BMl5BanBnXkFtZTcwOTcwMzgwNA@@._V1_.jpg

Perhaps the most moralistic of C.S. Lewis' Narnia novels would be 'The Voyage of the Dawn Treader', which is episodic in style with the Dawn Treader's aimless journey through Narnian seas. Michael Apted takes the helm of direction and brings this adventure to us in 3D; the first for Narnia.

Susan and Peter (King & Queen) have grown up now and reside in America where Narnia has no access. The teenagers Lucy (Georgie Hensley) and Edmund (Skander Keynes) who are in Britain in the midst of WW2, along with their unnerving cousin Eustace (Will Poulter) catch the moving waters in a painting in their room. Soon, the water flows into the room and in a spectacular fashion, they are underwater, only to be pulled up by Prince Caspian in front of the hull of the Dawn Treader. Welcome to Narnia! The trio are briefly introduced to the ship's crew that include the swashbuckling mouse Reepicheep and a Narnian buffalo sailor. Their initial inquiry about Narnia's state of affairs and the Dawn Treader's voyage reveal the book and film's weakness - Prince Caspian admits that there are no problems in Narnia. Peace rules the lands and barring the exploration of the farthest stretches of the waters where Aslan's country mythically exists, the ship has little to do on its voyage. Thus, they decide to go island hopping where, just on the first one, they are taken as prisoners and almost sold as slaves until a heroic rescue by the crew saves the day. It is within the walls of the prison that Prince and Edmund find out about the 7 missing lords and their magical swords. Oh and there's a LOST like smoke monster that devours boats full of slaves. 

The most striking aspect about 'The Chronicles of Narnia: Voyage of the Dawn Treader' is that it lacks the mystery, build up and joy of discovery of the first movie. At the same time, it eliminates the excessive CGI and Lord of the Rings inspired battle sequences from the second installment and thus proves to be a closer- to- book adaptation. The focus is on retaining Narnia's adventures as an escape for children with funny bits that are memorable especially the endless picking of Eustace by the witty Reepicheep and the monopodial dwarfs on the island. Deeper into the story's entertaining layers, Evil tempts the protagonists in different ways and overcoming the lure is the didactic experience of C.S. Lewis' edition that is well captured by Michael Apted. Lucy's battle against her temptation to be as beautiful as her sister, Edmund's envy of Prince Caspian's position as the leader and Eustace's greed that draws him to hidden treasures are all lessons to be learnt in the battle of good v/s evil. On one hand, the white witch tempts Edmund to join the evil forces while Aslan, in his Christ like rendition guides Lucy on the right path. 

The special effects involving the sea serpent in the cove are excellent and provide an ugly yet thrilling experience in 3D while the magical touches through the book of incarnations and entry to Aslan's country are simply enchanting to look at. Discovery of the 7 lords and their swords is itself a moral journey for everyone and while C.S. Lewis did brilliantly in detailing those aspects, Apted is short of time and just like all Narnian films, this one too falls short of the book's magical effect. But then again, Michael Apted is no Peter Jackson. 

The climax is a sad farewell to what we were introduced to just 2 movies ago but The Silver Chair may prove to be an altogether different experience with Eustace. Will Poulter's brilliantly convincing portrayal of the annoying kid is the highlight of the film and the focus on him is a well thought out plan for the upcoming movies. Georgie Hensley IS Lucy as C.S. Lewis had once imagined and therefore, her presence is always charming. The rest of the cast could've done better with more focus on their characters had it not been for the time constraint; which, Apted has wisely been strict about. The shortest of the 3 films, yet least action packed, 'Voyage of the Dawn Treader' betters its predecessor by being closer to the book with moral implications and child-like adventures. The film is beautiful to look at but it leaves you craving for more fun, more adventure and sometimes, more heroism. It is by no means uplifting and we do miss Aslan in action at the required times. This is Aslan's shortest time on screen and that is a tragedy for the film indeed. Nevertheless, for loyal fans of Narnia, this is purely Narnian in essence but not an epic by motion picture standards. 


* 7.033 on a scale of 1-10.


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