Does anyone from the original movie appear in this remake?

What are the differences between the theatrical cut and the extended cut?

Screenwriter Bit Off More than he/she could Chew

Go in expecting a collection of enthralling dance numbers and you will be walking out a satisfied customer

to quote --- http://www.ropeofsilicon.com/article/movie-review-fame-2009#comments

Debbie Allen, Lee Curreri, Cynthia Gibb, Erica Gimpel, Bill Hufsey, Carlo Imperato, Valerie Landsburg, and Gene Anthony Ray in Fame (1982)

Sharni Vinson and Rick Malambri in Step Up 3D (2010)

Julia Stiles and Sean Patrick Thomas in Save the Last Dance (2001)

Billy Zane, Amy Smart, and Betty White in Love N' Dancing (2009)

Beau Bridges and Marilyn Hassett in The Other Side of the Mountain (1975)

Claire Forlani, Daniel Craig, Felicity Jones, Jodhi May, Olivia Williams, Harry Eden, and Eve in Flashbacks of a Fool (2008)

There are some things success is not. It's not fame. It's not money or power. Success is waking up in the morning so excited about what you have to do that you literally fly out the door. It's getting to work with people you love. Success is connecting with the world and making people feel. It's finding a way to bind together people who have nothing in common but a dream. It's falling asleep at night knowing you did the best job you could. Success is joy and freedom and friendship. And success is love.

Whitney Barncord, Brittany Magill, Eva Ramirez, Angela Alexander, and Gino Barletta in Fame (2009)

Kay Panabaker and Asher Monroe in Fame (2009)

Kevin Tancharoen, Naturi Naughton, Walter Perez, and Collins Pennie in Fame (2009)

Kelsey Grammer

Bebe Neuwirth

Megan Mullally

Allison Burnett

Christopher Gore

An updated version of the musical Fame (1980), which centered on the students of the New York Academy of Performing Arts. The name of the school in 1980 was Fiorello Laguardia High School.

Kevin Tancharoen

Fame

Kevin Tancharoen&apos;s rambunctious first feature film (after directing a series of music TV shows like &quot;The Pussycat Dolls Present: The Search for the Next Doll&quot;) isn&apos;t as mawkish or amateur as you may expect. He may not have Martin Scorsese or Steven Spielberg looking over their shoulders, but Tancharoen clearly knows how to shoot a dance sequence. Thankfully he understands what the audience want from a movie like this and it isn&apos;t lengthy conversations or scenes to showcase the young stars&apos; acting chops, we want exceptional dancing mixed with an ear-pleasing soundtrack. From that standpoint this first-timer delivers.

We meet the characters during the introduction as they audition for a spot in the highly sought-after academy, each one of them showing their obvious skills over a well crafted montage that establishes the tone for the rest of the movie. From there we go from one rhythmic set piece to another, of varying enjoyment levels, with the absolute highlight coming from a Halloween party boogie at the halfway point. The gigantic finale goes for broke however doesn&apos;t quite reach the heights it should. Also worth noting is Tancharoen&apos;s ability to ensure non-dance enthusiasts (like myself) will be entertained no matter what art form is on display; those who think they could never take pleasure in ballet just try and not be entranced with the routine led by the lithe Kherington Payne in the second half.

Every film needs a plot and character arcs mind you and this is where Fame&apos;s failings become quite evident. The massive ensemble cast is simply too big; trying to follow the amount of individuals on offer is often frustrating. When you start to like someone they disappear for 30 minutes whilst we see the other dozen or so stories unfold, and only randomly do they intersect each other. Of the young cast Kay Panabaker, Asher Brook and Paul Iacono are the pick whilst the wise and wonderful teachers are best served by Bebe Neuwirth and Charles S. Dutton.

So how much is the final result affected by the hit-and-miss acting (the romantic scenes between the teens are excruciating), unfocused screenplay and ridiculous reasons to break out in song and dance? Not all that much to be honest. A film that can be this fun to watch doesn&apos;t deserve to be hung up on faulting elements such as these. Go in expecting a collection of enthralling dance numbers and you will be walking out a satisfied customer.

3.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

A remake of the 1980s musical centered on the teachers and students at the prestigious New York City High School of Performing Arts.

Fame: Trailer #2

https://m.media-amazon.com/images/M/MV5BMTY4MzM5ODczOV5BMl5BanBnXkFtZTcwOTk0MDk3Mg@@._V1_.jpg

Kevin Tancharoen's rambunctious first feature film (after directing a series of music TV shows like "The Pussycat Dolls Present: The Search for the Next Doll") isn't as mawkish or amateur as you may expect. He may not have Martin Scorsese or Steven Spielberg looking over their shoulders, but Tancharoen clearly knows how to shoot a dance sequence. Thankfully he understands what the audience want from a movie like this and it isn't lengthy conversations or scenes to showcase the young stars' acting chops, we want exceptional dancing mixed with an ear-pleasing soundtrack. From that standpoint this first-timer delivers.

We meet the characters during the introduction as they audition for a spot in the highly sought-after academy, each one of them showing their obvious skills over a well crafted montage that establishes the tone for the rest of the movie. From there we go from one rhythmic set piece to another, of varying enjoyment levels, with the absolute highlight coming from a Halloween party boogie at the halfway point. The gigantic finale goes for broke however doesn't quite reach the heights it should. Also worth noting is Tancharoen's ability to ensure non-dance enthusiasts (like myself) will be entertained no matter what art form is on display; those who think they could never take pleasure in ballet just try and not be entranced with the routine led by the lithe Kherington Payne in the second half.

Every film needs a plot and character arcs mind you and this is where Fame's failings become quite evident. The massive ensemble cast is simply too big; trying to follow the amount of individuals on offer is often frustrating. When you start to like someone they disappear for 30 minutes whilst we see the other dozen or so stories unfold, and only randomly do they intersect each other. Of the young cast Kay Panabaker, Asher Brook and Paul Iacono are the pick whilst the wise and wonderful teachers are best served by Bebe Neuwirth and Charles S. Dutton.

So how much is the final result affected by the hit-and-miss acting (the romantic scenes between the teens are excruciating), unfocused screenplay and ridiculous reasons to break out in song and dance? Not all that much to be honest. A film that can be this fun to watch doesn't deserve to be hung up on faulting elements such as these. Go in expecting a collection of enthralling dance numbers and you will be walking out a satisfied customer.

3.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

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