Something unique has come from the Marathi film industry

Hardeep Sachdev, Priyanka Puranik, Jitendra Adappa, Rinkle Patel, Milan Bhil, Girish Mewada, Vivek Sadamate, Parthraj Parmar, Dipev Patel, and Himadri Parmar in Abharkha (2022)

Noopur Bora and Suhas Desale in Teen Paayancha Ghoda (2023)

Devika Daftardar

Chaitanya Deshpande

Sagar Karpe

Noopur Bora

Yogesh Vinayak Joshi

In Noopur Bora&apos;s Three Legged Horse, three real-life incidents shudder the city of Pune in India. A cynical Adnan, a dreamy Chandrika, and a reticent Rathore come together to form a beautiful friendship

Three Legged Horse

The film&apos;s biggest USP is its characterization,the storytelling offers something new. The Cinematography and Editing are good overall the film is technically sound. 2001 to 2003 era shown aesthetically and the biggest plus point is the performances of all the actors, especially Ria Nalwade, Kunal Shukla, and Avinash Londhe. The chemistry between these three and their friendship works well,and the non-linear storytelling keeps the drama engaging. The characters&apos; motives are revealed gradually, maintaining interest throughout. The way some real-life incidents from Pune were connected to the story in the climax was also interesting, especially the car sequence, which was shot brilliantly. Overall, the last 15 to 20 minutes were gripping. The three characters shown are in their &apos;coming of age&apos; phase, so they make some wrong decisions due to their immaturity. Their personal and family lives aren&apos;t particularly good either; in short,these three characters are broken from within, and that&apos;s why they behave this way. Whatever they want to achieve in life, they are unable to do so because of their behavior.so film&apos;s title, &apos;Teen Paayancha Ghoda&apos; (Three-Legged Horse), perfectly suits and is unique also, and relatable to the life journey of these three broken characters. Now, talking about the negatives, the film&apos;s length felt excessive; it could definitely have been shorter. Due to the slow-paced narration, some scenes dragged and felt flat. I feel that considering the behavior of these three characters, more chaotic and quirky sequences could have been shown. There was scope to make the screenplay even more interesting, and the climax, which was overall interesting, was ended abruptly,the hard-hitting impact that could have been there isn&apos;t felt; there&apos;s a lack of proper closure. So, this is my personal opinion that this film might work with a certain section of the audience, those who are cinephiles and like to watch new types of cinema, but it won&apos;t resonate with the large section of mass audience. On the whole, the film works in some parts, but the one thing that makes a film memorable and stay in your heart forever, that was missing for me here. Finally, the fact that the makers took such a different route is commendable,so they definitely deserve praise for their efforts.

Three real-life incidents shudder the city of Pune in India. A cynical Adnan, a dreamy Chandrika, and a reticent Rathore come together to form a beautiful friendship

Official Trailer

https://m.media-amazon.com/images/M/MV5BNjYzYThmM2QtZDljNi00Y2UxLWE0M2UtZDU1N2Q1NTAxYjIzXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

The film's biggest USP is its characterization,the storytelling offers something new. The Cinematography and Editing are good overall the film is technically sound. 2001 to 2003 era shown aesthetically and the biggest plus point is the performances of all the actors, especially Ria Nalwade, Kunal Shukla, and Avinash Londhe. The chemistry between these three and their friendship works well,and the non-linear storytelling keeps the drama engaging. The characters' motives are revealed gradually, maintaining interest throughout. The way some real-life incidents from Pune were connected to the story in the climax was also interesting, especially the car sequence, which was shot brilliantly. Overall, the last 15 to 20 minutes were gripping. The three characters shown are in their 'coming of age' phase, so they make some wrong decisions due to their immaturity. Their personal and family lives aren't particularly good either; in short,these three characters are broken from within, and that's why they behave this way. Whatever they want to achieve in life, they are unable to do so because of their behavior.so film's title, 'Teen Paayancha Ghoda' (Three-Legged Horse), perfectly suits and is unique also, and relatable to the life journey of these three broken characters. Now, talking about the negatives, the film's length felt excessive; it could definitely have been shorter. Due to the slow-paced narration, some scenes dragged and felt flat. I feel that considering the behavior of these three characters, more chaotic and quirky sequences could have been shown. There was scope to make the screenplay even more interesting, and the climax, which was overall interesting, was ended abruptly,the hard-hitting impact that could have been there isn't felt; there's a lack of proper closure. So, this is my personal opinion that this film might work with a certain section of the audience, those who are cinephiles and like to watch new types of cinema, but it won't resonate with the large section of mass audience. On the whole, the film works in some parts, but the one thing that makes a film memorable and stay in your heart forever, that was missing for me here. Finally, the fact that the makers took such a different route is commendable,so they definitely deserve praise for their efforts.

In Noopur Bora's Three Legged Horse, three real-life incidents shudder the city of Pune in India. A cynical Adnan, a dreamy Chandrika, and a reticent Rathore come together to form a beautiful friendship

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