Faster than your First Time Reviews 2 - Best and Worst of TIFF 2021

22 Avenue des Peupliers, Fleury-Mérogis, Essonne, France

Sofia Boutella and Kiddy Smile in Climax (2018)

Valérie Mairesse and Ismaïla Meite in Titane (1996)

Willem Dafoe and Charlotte Gainsbourg in Antichrist (2009)

Hilmir Snær Guðnason and Noomi Rapace in Lamb (2021)

Scarlett Johansson in Under the Skin (2013)

I don't care who you are. You're my son. You'll always be my son. Whoever you are. Is that clear?

Sharon Stone, Spike Lee, Vincent Lindon, Julia Ducournau, and Agathe Rousselle at an event for Titane (2021)

Vincent Lindon, Jean-Christophe Reymond, Garance Marillier, Julia Ducournau, and Agathe Rousselle at an event for Titane (2021)

Vincent Lindon, Julia Ducournau, and Agathe Rousselle at an event for Titane (2021)

Agathe Rousselle at an event for Titane (2021)

Vincent Lindon

Agathe Rousselle

Garance Marillier

Julia Ducournau

Following a series of unexplained crimes, a father is reunited with the son who has been missing for ten years.

Titane

Not coated in Titanium.

Original. Daring. But doesn&apos;t quite gel.

I am writing a review after ages. Perhaps it&apos;s a sign of a good movie that provoked this response. Or perhaps it&apos;s just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .

Keeping the cryptic and puzzling aspects aside, it&apos;s a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.

Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.

The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.

I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it&apos;s not able to live up to its potential.

https://m.media-amazon.com/images/M/MV5BMmZlNGIzODUtODUxMS00M2EwLWE4MDgtYjhjYjJmYTMyZmI2XkEyXkFqcGdeQVRoaXJkUGFydHlJbmdlc3Rpb25Xb3JrZmxvdw@@._V1_.jpg

Original. Daring. But doesn't quite gel.

I am writing a review after ages. Perhaps it's a sign of a good movie that provoked this response. Or perhaps it's just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .

Keeping the cryptic and puzzling aspects aside, it's a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.

Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.

The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.

I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it's not able to live up to its potential.

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