The Loneliest Boy in the World
'The Loneliest Boy in the World' is a modern fairytale - with zombies. A satire and a celebration of family values, of the imagery of horror films, of suburban life, of the American Dream and of the ultimate taboo; death.
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"The Loneliest Boy in the World is an off-the-wall, bizarre film that completely missed the mark for me. Starring Max Harwood, the movie leans heavily into a surreal, pseudo-period style that feels more like a novelty project than a story with genuine depth. Visually, it plays like a highly stylized throwback, but rather than charming, it comes across as gimmicky and disjointed. The tone struggles from the start. The film attempts to balance dark psychological themes with quirky comedy, but neither element lands in a meaningful way. The plot-focusing on a painfully lonely young man and his ima..."
π‘ Did You Know?
In the scene in which Oliver's "mother" Susanne phones Chloe's mother Rachel to invite Rachel's family to a Halloween party, classical piano music is heard in the background. The piece being performed during the short phone call is the fourth movement of Franz Schubert's Sonata in B-flat Major, D. 960.
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'The Loneliest Boy in the World' is a modern fairytale - with zombies. A satire and a celebration of family values, of the imagery of horror films, of suburban life, of the American Dream and of the ultimate taboo; death.