Tackling a Sensitive Subject with Emotional Honesty

Ryan Jennifer Jones in Hell House LLC (2015)

Emily Seibert and Clas Duncan in Used and Borrowed Time (2020)

Sophia Romma, Manana Gitana, and Cam Kornman in Used and Borrowed Time (2020)

Grant Morenz and Clas Duncan in Used and Borrowed Time (2020)

Alice Bahlke

Marshall Bonny

Clas Duncan

Sophia Romma

An aging actress is magically returned to 1965 to relive the tyranny unleashed by a perverted, merciless white supremacist family, raging vengeance on her ill-fated love affair with a poetic African American civil rights advocate.

Used and Borrowed Time

&quot;Used and Borrowed Time&quot; shows that repentance haunts us as individuals throughout our lives if the guilt we carry is not properly faced. Even though we can somehow choose our regrets, there are some aspects in life that the unconscious never overcomes, even when we think we consciously get over these issues. Through the scenery and introduction of the characters, the plot may not be evident at first, but the screenwriter gives us hints about what we need to be aware of before the opening of the actual story. Beginning in present day New York, in one of the most inclusively diverse states, we somehow end up with its doppelganger-dark twin-, Alabama of 1960&apos;s, where the plot takes form and shows us the difficulties and penances that occurred during that period through the eyes of an unfortunate encounter of a youthful loving couple-both from different strata of society- at the mercy of a &quot;God-loving&quot; disruptive White family. In effect, both sides of the parties suffer as the victims of the White family&apos;s beliefs-mutually, the young couple and the fearful God&apos;s family. This film showcases ingenuity and scrutiny in the details that the untrained audience can easily overlook, yet still successfully delivers the author&apos;s message while maintaining tension and leaving the audience to question how the story might end after each episode.

"Used and Borrowed Time" shows that repentance haunts us as individuals throughout our lives if the guilt we carry is not properly faced. Even though we can somehow choose our regrets, there are some aspects in life that the unconscious never overcomes, even when we think we consciously get over these issues. Through the scenery and introduction of the characters, the plot may not be evident at first, but the screenwriter gives us hints about what we need to be aware of before the opening of the actual story. Beginning in present day New York, in one of the most inclusively diverse states, we somehow end up with its doppelganger-dark twin-, Alabama of 1960's, where the plot takes form and shows us the difficulties and penances that occurred during that period through the eyes of an unfortunate encounter of a youthful loving couple-both from different strata of society- at the mercy of a "God-loving" disruptive White family. In effect, both sides of the parties suffer as the victims of the White family's beliefs-mutually, the young couple and the fearful God's family. This film showcases ingenuity and scrutiny in the details that the untrained audience can easily overlook, yet still successfully delivers the author's message while maintaining tension and leaving the audience to question how the story might end after each episode.

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Used and Borrowed Time

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