Fred Church

Lillian Hamilton

Olga Printzlau

Ransacking through his father&apos;s strongbox, Fred finds a deed to a mining claim in Arizona. On receiving a letter from Lillian breaking off their engagement, Fred leaves for the west. Having landed there, he incites the enmity of t...

Hal Clements

The Other Girl

A rather novel manner

This two-reel production starts out in a rather novel manner, showing a man taking a book from his shelves and sitting down to read. The story then progresses, a story with a moral, by the way, after which we see the man close the book, rise and put it back in its place. The picture does not bring out the story very clearly, and it is somewhat difficult to grasp all of its significance. - The Moving Picture World, May 15, 1915

Ransacking through his father's strongbox, Fred finds a deed to a mining claim in Arizona. On receiving a letter from Lillian breaking off their engagement, Fred leaves for the west. Having landed there, he incites the enmity of three unscrupulous men: Brady, a gambler, who determines to try to get Fred's claim away from him; Blevins the dance hall boss, who hates him because he succeeds in persuading Madge, the dance hall girl, who reminds him of Lillian, to leave her hard life, and Jose, a half breed. In the meantime, Lillian finds that she loves Fred, and leaves for the west, followed by her mother. Fred's life is saved by Madge, who is stabbed by a knife thrust intended for him, just before Lillian, who, through her resemblance to Madge, is almost forced into a mock wedding with Blevins, and her mother arrive on the scene. It is disclosed that Lillian and the little dead dancing girl, Madge, are sisters, and that Lillian's mother had been the wife of a miner, who lost his mind and that Madge had been stolen by a band of Indians when she was a small child. The picture closes, leaving to the onlooker a knowledge that all will end happily for Lillian and Fred.

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The Other Girl

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