Caracas by Marco D'Amore: a raw and complex portrait of a tormented Naples

Gigio Alberti, Paola Tiziana Cruciani, Christian De Sica, Sabrina Ferilli, Laura Morante, Silvio Orlando, Rocco Papaleo, Silvio Vannucci, Angelica Tuccini, Alberto Basaluzzo, Laura Rauch, Vinicio Marchioni, and Emanuela Fanelli in Un altro ferragosto (2024)

Elio Germano and Michele Riondino in Palazzina Laf (2023)

Elio Germano and Federica Rosellini in Trust (2024)

Antonio Catania, Giacomo Poretti, Giovanni Storti, Walter Leonardi, Neri Marcorè, Giulia Gonella, Marta Gastini, Pia Engleberth, Anna Ferraioli Ravel, and Alberto Paradossi in Zamora (2023)

Marco D'Amore, Alessio Gallo, and Marianna Fontana in Criature (2024)

Toni Servillo and Marco D'Amore in Caracas (2024)

Toni Servillo

Marco D&apos;Amore

Lina Camelia Lumbroso

Ermanno Rea

Francesco Ghiaccio

A well-known Neapolitan writer returns to his hometown after a long absence and encounters an old friend known as Caracas. Caracas, once a neo-fascist skinhead, is now converting to Islam.

Caracas

Caracas by Marco D&apos;Amore: a raw and complex portrait of a tormented Naples

&quot;Caracas&quot; by Marco D&apos;Amore is a film that attempts to explore the multifaceted aspects of a Naples marked by deep contradictions and social tensions. Set in an abandoned and dilapidated city, the film follows the intertwined lives of various characters struggling to survive in a context of violence, corruption, and despair. D&apos;Amore, in his fourth directorial effort, offers a penetrating look at a reality often superficially portrayed by international media, but he does not always manage to maintain the narrative coherence necessary for a work of such ambition. The film opens with a series of powerful images that capture the decaying beauty of Naples: dilapidated skyscrapers, chaotic streets, and improvised markets, all photographed with meticulous attention to detail. Stefano Meloni&apos;s cinematography is one of the film&apos;s strengths, making the oppressive and vibrant atmosphere of the city tangible. Light and shadow are masterfully used to emphasize the contrast between hope and despair that permeates the protagonists&apos; lives. However, the visual beauty of the film does not always manage to compensate for its narrative shortcomings. The screenplay, written by D&apos;Amore himself along with Francesco Ghiaccio, is ambitious but at times scattered. The film introduces a plethora of characters, each with their own story and emotional baggage, but struggles to give each one enough space to fully develop. This leads to a fragmentation of the narrative that can be disorienting for the viewer. Some characters and subplots are abandoned or resolved hastily, leaving a sense of incompleteness. The actors&apos; performances are generally solid. Toni Servillo, in the role of Giordano Fonte, delivers an intense and touching performance, embodying the character with an emotional depth that makes his narrative arc believable and engaging. Marco D&apos;Amore, who plays Caracas, manages to convey the complexity of a man torn between extreme ideologies and a search for redemption through conversion to Islam. Lina Camelia Lumbroso, as Yasmina, offers a raw and sincere performance that captures the struggles of an addict trapped in the city&apos;s alleys. Despite these high-level performances, the film suffers from an uneven pace. &quot;Caracas&quot; oscillates between moments of intense tension and reflective pauses that, although well-executed individually, do not always blend into a harmonious narrative flow. This can create a discontinuity that prevents the viewer from fully immersing themselves in the story. Additionally, the film sometimes gets lost in aesthetic digressions that, while visually fascinating, further slow the plot&apos;s progression. The soundtrack, composed by Rodrigo D&apos;Erasmo, deserves mention for its ability to capture the essence of the city. The musical tracks, ranging from traditional Neapolitan music to urban rap, help create a soundscape that reflects Naples&apos; cultural diversity. However, like the rest of the film, the soundtrack also suffers from a lack of coherence, with some tracks feeling out of place compared to the overall tone of the scenes in which they are used. Ultimately, &quot;Caracas&quot; is a film that, despite its ambitions and some elements of great value, does not fully achieve its potential. D&apos;Amore&apos;s direction and the cast&apos;s performances are commendable, but the fragmented narrative and uneven pace prevent the film from being completely engaging. However, for those interested in a complex and multifaceted portrait of Naples, &quot;Caracas&quot; offers reflections and moments of intense visual beauty that are worth seeing.

Trailer [OV]

https://m.media-amazon.com/images/M/MV5BODkxZmNiMTAtZTA3Yi00ZDE3LWFhMTEtMWJhYzczYTgxMWJiXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

"Caracas" by Marco D'Amore is a film that attempts to explore the multifaceted aspects of a Naples marked by deep contradictions and social tensions. Set in an abandoned and dilapidated city, the film follows the intertwined lives of various characters struggling to survive in a context of violence, corruption, and despair. D'Amore, in his fourth directorial effort, offers a penetrating look at a reality often superficially portrayed by international media, but he does not always manage to maintain the narrative coherence necessary for a work of such ambition. The film opens with a series of powerful images that capture the decaying beauty of Naples: dilapidated skyscrapers, chaotic streets, and improvised markets, all photographed with meticulous attention to detail. Stefano Meloni's cinematography is one of the film's strengths, making the oppressive and vibrant atmosphere of the city tangible. Light and shadow are masterfully used to emphasize the contrast between hope and despair that permeates the protagonists' lives. However, the visual beauty of the film does not always manage to compensate for its narrative shortcomings. The screenplay, written by D'Amore himself along with Francesco Ghiaccio, is ambitious but at times scattered. The film introduces a plethora of characters, each with their own story and emotional baggage, but struggles to give each one enough space to fully develop. This leads to a fragmentation of the narrative that can be disorienting for the viewer. Some characters and subplots are abandoned or resolved hastily, leaving a sense of incompleteness. The actors' performances are generally solid. Toni Servillo, in the role of Giordano Fonte, delivers an intense and touching performance, embodying the character with an emotional depth that makes his narrative arc believable and engaging. Marco D'Amore, who plays Caracas, manages to convey the complexity of a man torn between extreme ideologies and a search for redemption through conversion to Islam. Lina Camelia Lumbroso, as Yasmina, offers a raw and sincere performance that captures the struggles of an addict trapped in the city's alleys. Despite these high-level performances, the film suffers from an uneven pace. "Caracas" oscillates between moments of intense tension and reflective pauses that, although well-executed individually, do not always blend into a harmonious narrative flow. This can create a discontinuity that prevents the viewer from fully immersing themselves in the story. Additionally, the film sometimes gets lost in aesthetic digressions that, while visually fascinating, further slow the plot's progression. The soundtrack, composed by Rodrigo D'Erasmo, deserves mention for its ability to capture the essence of the city. The musical tracks, ranging from traditional Neapolitan music to urban rap, help create a soundscape that reflects Naples' cultural diversity. However, like the rest of the film, the soundtrack also suffers from a lack of coherence, with some tracks feeling out of place compared to the overall tone of the scenes in which they are used. Ultimately, "Caracas" is a film that, despite its ambitions and some elements of great value, does not fully achieve its potential. D'Amore's direction and the cast's performances are commendable, but the fragmented narrative and uneven pace prevent the film from being completely engaging. However, for those interested in a complex and multifaceted portrait of Naples, "Caracas" offers reflections and moments of intense visual beauty that are worth seeing.

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