An intelligent and introspective film, but overlong, in fact there is almost an hour left.

There's So Much Good Stuff Going On in This Movie

The similarity with the "Persona" (Bergman) poster is not a coincidence

Castell de Ferro, Granada, Andalucía, Spain

Ana Torrent in The Spirit of the Beehive (1973)

Nu astepta prea mult de la sfârsitul lumii

Do Not Expect Too Much from the End of the World (2023)

Do Not Expect Too Much from the End of the World

Kani Kusruti in All We Imagine as Light (2024)

Marianne Jean-Baptiste and Michele Austin in Hard Truths (2024)

Manolo Solo

Jose Coronado

Ana Torrent

Víctor Erice

Michel Gaztambide

A Spanish actor disappears during the filming of a movie. Although his body is never found, the police conclude that he has suffered an accident at the edge of a cliff. Many years later, the mystery returns to the present day.

Cerrar los ojos

nope

This late work is the first I&apos;ve seen by Spanish auteur Victor Erice. (Yes, fellow cineasts, I have reached the age of 48 without EVER watching &quot;Spirit of the Beehive&quot;. I know this is deeply sinful and plan to rectify it by- not kidding- the end of the day on which I am writing this review!) From what I have read about Erice&apos;s earlier, major works his films usually concern childhood, and tend to be fairly short in duration- under 2 hours. Related to those earlier films, &quot;Close Your Eyes&quot; would seem to be a departure for the 84 year old writer-director. It is almost 3 hours long, and it is concerned with the theme and rhythms of old age.

&quot;Pensive&quot; and &quot;patient&quot; are the two adjectives I would use to describe the film&apos;s mood, at least for its first two acts. This is, indeed, a film in 3 acts, and not in the insipid sense meant by Hollywood scribes. The three sections of the narrative, each in a different setting with largely different supporting characters besides the lead, 70-something writer Miguel Garay- played, well, pensively and patiently by Manolo Solo, feel like three different films about the same character.

The cliche about old age is that one realizes how short life is, and even a middle-aged person can attest to a level of truth in this. Less discussed or described is the change in the moment to moment temporality as one gets older, the appreciation and savoring of moments that have come to seem more finite. Erice and his team convey that beautifully in the first two acts, particularly the second which basks in an understated contentedness that cannot last even in the sphere of lived time.

In the first act, two elderly friends discuss the &quot;challenge of old age&quot; and one character defines it as living &quot;fearlessly and without hope&quot;. The final section of the film, the one with the closest thing to a conventional story-line, perhaps only lives up to the first half of the first act&apos;s declaration. It is filled with an elderly artist&apos;s final declaration of devotion to their medium- the cinema- in which the artist maintains a faith in an ability to attest, reveal, and perhaps even heal.

On a personal note, the cinema has been as close as I&apos;ve had to a religious force in my very atheistic life. Perhaps when/ if I approach Erice&apos;s age I will feel a need for such declarations of devotion. As the almost 50 year old who watched &quot;Close Your Eyes&quot;, however, I could have done without the metaphysics lesson.

Tráiler [OV]

https://m.media-amazon.com/images/M/MV5BY2Q2MjZhZjktZmJhZC00YTNjLTg4NjctYTE4MWIyN2E3YjJlXkEyXkFqcGdeQW5hbGly._V1_.jpg

This late work is the first I've seen by Spanish auteur Victor Erice. (Yes, fellow cineasts, I have reached the age of 48 without EVER watching "Spirit of the Beehive". I know this is deeply sinful and plan to rectify it by- not kidding- the end of the day on which I am writing this review!) From what I have read about Erice's earlier, major works his films usually concern childhood, and tend to be fairly short in duration- under 2 hours. Related to those earlier films, "Close Your Eyes" would seem to be a departure for the 84 year old writer-director. It is almost 3 hours long, and it is concerned with the theme and rhythms of old age.

"Pensive" and "patient" are the two adjectives I would use to describe the film's mood, at least for its first two acts. This is, indeed, a film in 3 acts, and not in the insipid sense meant by Hollywood scribes. The three sections of the narrative, each in a different setting with largely different supporting characters besides the lead, 70-something writer Miguel Garay- played, well, pensively and patiently by Manolo Solo, feel like three different films about the same character.

The cliche about old age is that one realizes how short life is, and even a middle-aged person can attest to a level of truth in this. Less discussed or described is the change in the moment to moment temporality as one gets older, the appreciation and savoring of moments that have come to seem more finite. Erice and his team convey that beautifully in the first two acts, particularly the second which basks in an understated contentedness that cannot last even in the sphere of lived time.

In the first act, two elderly friends discuss the "challenge of old age" and one character defines it as living "fearlessly and without hope". The final section of the film, the one with the closest thing to a conventional story-line, perhaps only lives up to the first half of the first act's declaration. It is filled with an elderly artist's final declaration of devotion to their medium- the cinema- in which the artist maintains a faith in an ability to attest, reveal, and perhaps even heal.

On a personal note, the cinema has been as close as I've had to a religious force in my very atheistic life. Perhaps when/ if I approach Erice's age I will feel a need for such declarations of devotion. As the almost 50 year old who watched "Close Your Eyes", however, I could have done without the metaphysics lesson.

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Cerrar los ojos

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