For those interested in the Beat Generation

A remarkable documentary about a remarkable man.

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Aaron Brookner and Brad Gooch in Uncle Howard (2016)

Jim Jarmusch and Aaron Brookner in Uncle Howard (2016)

Aaron Brookner at an event for Uncle Howard (2016)

Aaron Brookner

John Giorno

Jim Jarmusch

An intertwining tale of past and present this Award Winning Sundance documentary rediscovers NYC filmmaker Howard Brookner and his body of work, unveiled by his nephew, after being buried in William S. Burroughs bunker for over 30...

Uncle Howard

Searching celluloid for what remains

Going into this documentary, I don&apos;t think I had researched it as much as the other films I&apos;ve picked to screen at SIFF 2016. I must&apos;ve just seen &quot;William Burroughs&quot; &amp; &quot;Jim Jarmusch&quot;, threw my hands up &amp; exclaimed, &quot;That does it! I must see this!&quot;. Needless to say, the subject matter went above &amp; beyond my simplistic expectations. While this is a movie about a nephew (Aaron Brookner) trying to piece together the life &amp; works of his uncle, filmmaker Howard Brookner, it is also a movie about something much deeper &amp; broader. While it was a delight to watch clips &amp; outtakes from Howard Brookner&apos;s film Burroughs: The Movie, moments from home movies of Brookner&apos;s family, and follow the present-day storyline of Aaron Brookner delving into storage lockers, picking the brains of his uncle&apos;s friends, and trying to pry reels of film from the caretaker of Burrough&apos;s Bowery apartment &quot;The Bunker&quot;, the real meat of the film was a much more poignant tale. In the smaller scope, it is a tale about what one man could accomplish in such a truncated life--about living to the fullest &amp; doing what makes you happy, regardless what those around you may think. It is about a life cut short by AIDS. In the broader sense, it is an open-ended question with no possible answer--what did we, as a society, lose because of the AIDS crisis? While I cried tears of sorrow for a talent like Howard&apos;s taken too soon, for the palpable lasting sadness of his family &amp; friends, for the anguish of those around me who lived through this and lost their loved ones &amp; partners, I also cried tears of anger. What if those in power had taken this epidemic more seriously &amp; much sooner? Would we be watching a retrospective of Howard Brookner&apos;s work made up of 15-20+ movies &amp; not just 3? Could our culture have been guided towards acceptance of all our beautiful variations &amp; colors more gracefully if a generation of thinkers, artists &amp; unique souls had not been ravaged by this outbreak? It is impossible to inventory the scope of such a loss, unlike the boxes of celluloid rotting in a Bowery basement--but indeed, it is a profound loss that can never be recovered.

Uncle Howard is an intertwining tale of past and present, the story of filmmaker Howard Brookner whose work captured the late 70s and early 80s Downtown NYC cultural revolution - and his nephew&apos;s personal journey 25 years later to discover his uncle&apos;s films and the legacy of a life cut short by the plague of AIDS.

Trailer

https://m.media-amazon.com/images/M/MV5BMjI4NzY0NDk2MV5BMl5BanBnXkFtZTgwMjA2ODc3NzE@._V1_.jpg

Going into this documentary, I don't think I had researched it as much as the other films I've picked to screen at SIFF 2016. I must've just seen "William Burroughs" & "Jim Jarmusch", threw my hands up & exclaimed, "That does it! I must see this!". Needless to say, the subject matter went above & beyond my simplistic expectations. While this is a movie about a nephew (Aaron Brookner) trying to piece together the life & works of his uncle, filmmaker Howard Brookner, it is also a movie about something much deeper & broader. While it was a delight to watch clips & outtakes from Howard Brookner's film Burroughs: The Movie, moments from home movies of Brookner's family, and follow the present-day storyline of Aaron Brookner delving into storage lockers, picking the brains of his uncle's friends, and trying to pry reels of film from the caretaker of Burrough's Bowery apartment "The Bunker", the real meat of the film was a much more poignant tale. In the smaller scope, it is a tale about what one man could accomplish in such a truncated life--about living to the fullest & doing what makes you happy, regardless what those around you may think. It is about a life cut short by AIDS. In the broader sense, it is an open-ended question with no possible answer--what did we, as a society, lose because of the AIDS crisis? While I cried tears of sorrow for a talent like Howard's taken too soon, for the palpable lasting sadness of his family & friends, for the anguish of those around me who lived through this and lost their loved ones & partners, I also cried tears of anger. What if those in power had taken this epidemic more seriously & much sooner? Would we be watching a retrospective of Howard Brookner's work made up of 15-20+ movies & not just 3? Could our culture have been guided towards acceptance of all our beautiful variations & colors more gracefully if a generation of thinkers, artists & unique souls had not been ravaged by this outbreak? It is impossible to inventory the scope of such a loss, unlike the boxes of celluloid rotting in a Bowery basement--but indeed, it is a profound loss that can never be recovered.

An intertwining tale of past and present this Award Winning Sundance documentary rediscovers NYC filmmaker Howard Brookner and his body of work, unveiled by his nephew, after being buried in William S. Burroughs bunker for over 30 years.

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Uncle Howard

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