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Manju Warrier, Gayathri Ashok, Saiju Sreedharan, and Vishak Nair in Footage (2024)

Manju Warrier, Gayathri Ashok, and Vishak Nair in Footage (2024)

Manju Warrier

Jikki Nair

Vishak Nair

Shabna Muhammed

Saiju Sreedharan

A found footage thriller surrounding the story of a curious couple.

Footage

AVERAGE MOVIES

&quot;Footage&quot; is likely the first found-footage film in Malayalam cinema, a genre that has seen success in various film industries globally.

Saiju, known for his exceptional editing skills, takes on the role of director in this film. The editing is undoubtedly the strongest aspect of &quot;Footage,&quot; with long, continuous shots that are seamlessly edited to create a smooth viewing experience.

The film shines technically, particularly in the interval sequence, underwater scenes, and intricately choreographed fight sequences, all executed in single, unbroken shots-a commendable achievement.

Vishak and Gayathri excel in their roles, delivering strong performances that are well-suited to the plot. Their intimate scenes are particularly well-executed, with both actors giving their best. However, the dialogues fall short, making it difficult for the audience to connect with the characters. For instance, a phone conversation between Gayathri and her mother, along with a balcony scene, aimed at deepening character development, fail due to overly philosophical and insensitive dialogue.

Manju Warrier&apos;s character is underdeveloped, leaving little room for the audience to empathize with her actions.

Despite limited screen time, she brings an intriguing mystery to her role and makes the most of her limited opportunities, delivering a DECENT performance.

Trailer [OV]

https://m.media-amazon.com/images/M/MV5BZjNhNTQyM2YtYjZjMi00OWY5LWE1NDYtYjYyZWM5ZjgyNGY4XkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

"Footage" is likely the first found-footage film in Malayalam cinema, a genre that has seen success in various film industries globally.

Saiju, known for his exceptional editing skills, takes on the role of director in this film. The editing is undoubtedly the strongest aspect of "Footage," with long, continuous shots that are seamlessly edited to create a smooth viewing experience.

The film shines technically, particularly in the interval sequence, underwater scenes, and intricately choreographed fight sequences, all executed in single, unbroken shots-a commendable achievement.

Vishak and Gayathri excel in their roles, delivering strong performances that are well-suited to the plot. Their intimate scenes are particularly well-executed, with both actors giving their best. However, the dialogues fall short, making it difficult for the audience to connect with the characters. For instance, a phone conversation between Gayathri and her mother, along with a balcony scene, aimed at deepening character development, fail due to overly philosophical and insensitive dialogue.

Manju Warrier's character is underdeveloped, leaving little room for the audience to empathize with her actions.

Despite limited screen time, she brings an intriguing mystery to her role and makes the most of her limited opportunities, delivering a DECENT performance.

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