Love, Memory, and Midlife Mayhem - 'Nous, les Leroy' Finds the Funny in the Fall

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José Garcia

Lily Aubry

Florent Bernard

A man takes his wife and their teenage children on a road trip down memory lane while facing divorce.

Nous, les Leroy

Love, Memory, and Midlife Mayhem - &apos;Nous, les Leroy&apos; Finds the Funny in the Fall

You could easily mistake Nous, les Leroy for a &quot;TF1-style&quot; crowd-pleaser - the kind of middlebrow French comedy built to unite the Sunday-night masses with easy laughs and universally relatable woes.

Sandrine and Christophe, long past the honeymoon stage, are staring down the end of their marriage. In a last-ditch effort to fix what&apos;s broken, he packs the whole family into a van for a nostalgic trip through their shared past. Sounds familiar? Maybe Papa ou Maman with extra sentiment, or The Tuches with fewer wigs? Not even close.

Florent Bernard - better known for Le Floodcast, Bloqués and Le Flambeau - turns out to have a disarmingly sure hand. His comedy has rhythm, warmth, and just enough modern edge to feel fresh without sneering at tradition. What really surprises, though, is how easily he folds melancholy into the mix.

These aren&apos;t cartoon parents or sitcom archetypes; they&apos;re people quietly careening toward the wall, their lives half-lived, their kids half-gone, the GPS still insisting on &quot;return to route.&quot; Bernard refuses the usual French-comedy cop-out - no magical reconciliation, no emotional reset button. Instead, we get empathy, awkwardness, grace.

We laugh with them, wince with them, maybe even tear up a little. Nous, les Leroy hits that sweet, precarious 50/50 blend of comedy and drama - funny enough to entertain, human enough to hurt.

You could easily mistake Nous, les Leroy for a "TF1-style" crowd-pleaser - the kind of middlebrow French comedy built to unite the Sunday-night masses with easy laughs and universally relatable woes.

Sandrine and Christophe, long past the honeymoon stage, are staring down the end of their marriage. In a last-ditch effort to fix what's broken, he packs the whole family into a van for a nostalgic trip through their shared past. Sounds familiar? Maybe Papa ou Maman with extra sentiment, or The Tuches with fewer wigs? Not even close.

Florent Bernard - better known for Le Floodcast, Bloqués and Le Flambeau - turns out to have a disarmingly sure hand. His comedy has rhythm, warmth, and just enough modern edge to feel fresh without sneering at tradition. What really surprises, though, is how easily he folds melancholy into the mix.

These aren't cartoon parents or sitcom archetypes; they're people quietly careening toward the wall, their lives half-lived, their kids half-gone, the GPS still insisting on "return to route." Bernard refuses the usual French-comedy cop-out - no magical reconciliation, no emotional reset button. Instead, we get empathy, awkwardness, grace.

We laugh with them, wince with them, maybe even tear up a little. Nous, les Leroy hits that sweet, precarious 50/50 blend of comedy and drama - funny enough to entertain, human enough to hurt.

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Nous, les Leroy

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