This is like Avengers: Endgame for Our Aunts and Moms

Bridget Jones:Mad About Recycling The Same Old Stuff.

Colin Firth, Renée Zellweger, and Patrick Dempsey in Bridget Jones's Baby (2016)

Colin Firth, Renée Zellweger, and Hugh Grant in Bridget Jones: The Edge of Reason (2004)

Colin Firth, Renée Zellweger, and Hugh Grant in Bridget Jones's Diary (2001)

Bridget Jones Interviews Colin Firth (2005)

Allison Janney, Kate McKinnon, Benedict Cumberbatch, Olivia Colman, Andy Samberg, Zoë Chao, Sunita Mani, Jamie Demetriou, and Ncuti Gatwa in The Roses (2025)

Carey Mulligan, Tom Basden, and Tim Key in The Ballad of Wallis Island (2025)

Ladies & Gentlemen... 50 Years of SNL Music

Ladies & Gentlemen... 50 Years of SNL Music (2025)

Ambika Mod and Leo Woodall in One Day (2024)

Logan Lerman and Molly Gordon in Oh, Hi! (2025)

Julia Roberts and Hugh Grant in Notting Hill (1999)

Colin Firth, Renée Zellweger, Hugh Grant, Chiwetel Ejiofor, and Leo Woodall in Bridget Jones: Mad About the Boy (2025)

And even though there might be 600,000 words in the human language, the world still struggles to find the right ones when someone you love is gone.

Renée Zellweger at an event for Bridget Jones: Mad About the Boy (2025)

Lucy Boynton at an event for Bridget Jones: Mad About the Boy (2025)

Renée Zellweger, Chiwetel Ejiofor, Leo Woodall, and Michael Morris at an event for Bridget Jones: Mad About the Boy (2025)

Chiwetel Ejiofor at an event for Bridget Jones: Mad About the Boy (2025)

Hugh Grant at an event for Bridget Jones: Mad About the Boy (2025)

Leo Woodall at an event for Bridget Jones: Mad About the Boy (2025)

Nico Parker at an event for Bridget Jones: Mad About the Boy (2025)

Isla Fisher at an event for Bridget Jones: Mad About the Boy (2025)

Renée Zellweger

Chiwetel Ejiofor

Leo Woodall

Helen Fielding

Dan Mazer

Abi Morgan

After jumping back into the dating pool, single mother Bridget Jones finds herself caught between a younger man and her son&apos;s science teacher.

Michael Morris

Bridget Jones: Mad About the Boy

There was a time when Bridget Jones&apos;s Baby felt like the perfect send-off for our favorite clumsy, charming, and endlessly relatable heroine. So when Mad About the Boy was announced, there was a mix of excitement and hesitation. Did we really need another Bridget Jones movie? Was this going to undo the closure we had? But as soon as the film starts, you realize-there&apos;s still more to tell. And more importantly, there&apos;s still more to feel.

This final chapter of Bridget&apos;s journey is a bittersweet one. It deals with grief, loss, and moving forward in life even when it feels impossible. The film beautifully captures the struggle of giving yourself a second chance, of learning how to heal while still carrying love for the past. If you&apos;ve followed Bridget since the very first film, you&apos;ll feel every bit of her emotions. She&apos;s still the Bridget we love, but she&apos;s more mature now, wiser, a little less clumsy, a little more self-assured. Life has shaped her, as it does to all of us. And that&apos;s what makes her story so heartbreakingly real-she&apos;s growing, changing, adapting, but at her core, she&apos;s still Bridget.

And honestly, this couldn&apos;t have worked without Renée Zellweger. There is no Bridget Jones without her. She slips back into the role like she never left, embodying every awkward entrance, every grand gesture, and even the tiniest mannerisms-the nervous smiles, the way she tilts her head when receiving bad news-it&apos;s all still so Bridget. Zellweger&apos;s performance is nothing short of stunning. She is Bridget Jones, and no other rom-com character can ever quite match what she brings to this franchise.

The film also introduces new love interests-Roxster (Leo Woodall) and Mr. Wallaker (Chiwetel Ejiofor). They bring fresh dynamics to Bridget&apos;s life, but they don&apos;t quite match the charm and chemistry that Mark Darcy or Daniel Cleaver once had. Roxster is fun but a little two-dimensional, existing more to push Bridget&apos;s journey forward rather than being a compelling character himself. Mr. Wallaker, on the other hand, is serious-maybe a little too serious. Unlike Mark Darcy, who had a dry wit that balanced Bridget&apos;s chaos, Wallaker feels a bit plain. It&apos;s hard to imagine him truly being the one for Bridget.

But Mad About the Boy isn&apos;t just about romance. It&apos;s about life. It&apos;s about parenting-the struggles of balancing kids, work, and personal happiness. It&apos;s about friendships-because Bridget wouldn&apos;t be Bridget without her loyal, slightly chaotic circle of friends. The film reminds us how much friends shape our lives, offering love, support, and, of course, comic relief. And speaking of comedy, the humor here is just right-not too over-the-top, not forced, just classic Bridget Jones wit.

That said, while the film gives us a solid and heartfelt ending to Bridget&apos;s story, the final scene feels a little... abrupt. It&apos;s good, but it&apos;s not as satisfying as it could have been. After everything Bridget has been through, she deserved a stronger, more definitive farewell.

Verdict Bridget Jones: Mad About the Boy is like Avengers: Endgame for our aunts and moms. It&apos;s a long-lost reunion that feels earned, deserved, and deeply emotional. Best sequel since Bridget Jones&apos;s Baby, this is the perfect film to watch with a cup of hot chocolate, wrapped in a blanket, feeling all the feelings. Bridget Jones, thank you for everything.

The fourth in the series of British romantic comedies.

Official Trailer

https://m.media-amazon.com/images/M/MV5BYjIyYjkwNTUtMzI3OS00MTcyLWE2OTItNzFhNmEyNmNhODhlXkEyXkFqcGdeQXZ3ZXNsZXk@._V1_.jpg

There was a time when Bridget Jones's Baby felt like the perfect send-off for our favorite clumsy, charming, and endlessly relatable heroine. So when Mad About the Boy was announced, there was a mix of excitement and hesitation. Did we really need another Bridget Jones movie? Was this going to undo the closure we had? But as soon as the film starts, you realize-there's still more to tell. And more importantly, there's still more to feel.

This final chapter of Bridget's journey is a bittersweet one. It deals with grief, loss, and moving forward in life even when it feels impossible. The film beautifully captures the struggle of giving yourself a second chance, of learning how to heal while still carrying love for the past. If you've followed Bridget since the very first film, you'll feel every bit of her emotions. She's still the Bridget we love, but she's more mature now, wiser, a little less clumsy, a little more self-assured. Life has shaped her, as it does to all of us. And that's what makes her story so heartbreakingly real-she's growing, changing, adapting, but at her core, she's still Bridget.

And honestly, this couldn't have worked without Renée Zellweger. There is no Bridget Jones without her. She slips back into the role like she never left, embodying every awkward entrance, every grand gesture, and even the tiniest mannerisms-the nervous smiles, the way she tilts her head when receiving bad news-it's all still so Bridget. Zellweger's performance is nothing short of stunning. She is Bridget Jones, and no other rom-com character can ever quite match what she brings to this franchise.

The film also introduces new love interests-Roxster (Leo Woodall) and Mr. Wallaker (Chiwetel Ejiofor). They bring fresh dynamics to Bridget's life, but they don't quite match the charm and chemistry that Mark Darcy or Daniel Cleaver once had. Roxster is fun but a little two-dimensional, existing more to push Bridget's journey forward rather than being a compelling character himself. Mr. Wallaker, on the other hand, is serious-maybe a little too serious. Unlike Mark Darcy, who had a dry wit that balanced Bridget's chaos, Wallaker feels a bit plain. It's hard to imagine him truly being the one for Bridget.

But Mad About the Boy isn't just about romance. It's about life. It's about parenting-the struggles of balancing kids, work, and personal happiness. It's about friendships-because Bridget wouldn't be Bridget without her loyal, slightly chaotic circle of friends. The film reminds us how much friends shape our lives, offering love, support, and, of course, comic relief. And speaking of comedy, the humor here is just right-not too over-the-top, not forced, just classic Bridget Jones wit.

That said, while the film gives us a solid and heartfelt ending to Bridget's story, the final scene feels a little... abrupt. It's good, but it's not as satisfying as it could have been. After everything Bridget has been through, she deserved a stronger, more definitive farewell.

Verdict Bridget Jones: Mad About the Boy is like Avengers: Endgame for our aunts and moms. It's a long-lost reunion that feels earned, deserved, and deeply emotional. Best sequel since Bridget Jones's Baby, this is the perfect film to watch with a cup of hot chocolate, wrapped in a blanket, feeling all the feelings. Bridget Jones, thank you for everything.

After jumping back into the dating pool, single mother Bridget Jones finds herself caught between a younger man and her son's science teacher.

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Bridget Jones: Mad About the Boy

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