Dry, wordy, indie drama that lacks the warm Edward Burns magic of his youthful blue-collar equivalent films

Jennifer Aniston, Cameron Diaz, Maxine Bahns, Edward Burns, and Michael McGlone in She's the One (1996)

Selma Blair, Debra Messing, Edward Burns, and Patrick Wilson in Purple Violets (2007)

Maxine Bahns, Edward Burns, Michael McGlone, and Jack Mulcahy in The Brothers McMullen (1995)

Caitlin Stasey and Isabella Farrell in Bridge and Tunnel (2021)

Connie Britton, Edward Burns, Heather Burns, Marsha Dietlein, Anita Gillette, Tom Guiry, Michael McGlone, Caitlin FitzGerald, and Kerry Bishé in The Fitzgerald Family Christmas (2012)

Bill Murray, Naomi Watts, and Bing in The Friend (2024)

Max Baker and Kerry Bishé in Nice Guy Johnny (2010)

Minnie Driver, Julianna Margulies, Benjamin Bratt, Gretchen Mol, Edward Burns, Patrick Wilson, and Morena Baccarin in Millers in Marriage (2024)

I mean, as we get older, your memories from those days become more romanticized. And the songs connected to those memories become even more important. So when you hear that special tune, you know, that... I don't know, that track you thought you forgot, like your song, "Easy On You," I hear that again, it's like I don't know, it's like... it's like time traveling. It offers you a moment where you... you can go back to your younger days, experience a few seconds where you actually think you can go back.

Benjamin Bratt and Gretchen Mol in Millers in Marriage (2024)

Gretchen Mol in Millers in Marriage (2024)

Benjamin Bratt in Millers in Marriage (2024)

Brian d'Arcy James in Millers in Marriage (2024)

Julianna Margulies in Millers in Marriage (2024)

Julianna Margulies and Brian d'Arcy James in Millers in Marriage (2024)

Campbell Scott in Millers in Marriage (2024)

Minnie Driver in Millers in Marriage (2024)

Minnie Driver and Edward Burns in Millers in Marriage (2024)

Minnie Driver

Morena Baccarin

Patrick Wilson

Edward Burns

A tale of three middle-aged married couples coming to grips with universal questions about marriage and fidelity, professional success and failure, and the challenge of finding a second act.

Millers in Marriage

Made for Netflix Generation(s)

Whenever I&apos;m browsing what should I watch in Toronto Film Festival, I always rely on reading short plot/synopsys and with strictly avoiding to watch the trailer as to not receive/spoiled more than necessary. And in this case that was mistake. While plot summary seemed inviting, with strong direction that is sort of serious drama from marriage(s), visual side screwed all the intentions. All, but literaly ALL women characters were all the time with perfect make up (even when waking up in bed) perfect hair style (even when going doing things in kitchen), on high heels (even during the day in their own houses). Although they are all from some middle upper class, and not from aristocratic level, all interiors, even in cottages, were like from &apos;Home and Garden&apos; magazines with pristine care that every item is on it&apos;s place ready for photo shooting. I thought this &apos;Dinasty&apos; style of making movies was long time ago history. Seems not.

Eve Miller, a former indie rock singer, struggles with her toxic marriage while growing attracted to a music journalist. Her sister Maggie, a bestselling author, faces marital discord as her career overshadows her husband&apos;s.

Official Trailer

https://m.media-amazon.com/images/M/MV5BOTViNGNlZWEtZjdmOC00MTEzLWJkMGYtNTA0YmI2MWE1YmEwXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

Whenever I'm browsing what should I watch in Toronto Film Festival, I always rely on reading short plot/synopsys and with strictly avoiding to watch the trailer as to not receive/spoiled more than necessary. And in this case that was mistake. While plot summary seemed inviting, with strong direction that is sort of serious drama from marriage(s), visual side screwed all the intentions. All, but literaly ALL women characters were all the time with perfect make up (even when waking up in bed) perfect hair style (even when going doing things in kitchen), on high heels (even during the day in their own houses). Although they are all from some middle upper class, and not from aristocratic level, all interiors, even in cottages, were like from 'Home and Garden' magazines with pristine care that every item is on it's place ready for photo shooting. I thought this 'Dinasty' style of making movies was long time ago history. Seems not.

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Millers in Marriage

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