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Sergo Buiglishvili

Anuka Grigolia

Levan Kajrishvili

Dato Chubinishvili

Tinatin Kajrishvili

Nutsa lives with her two small children in suburb of Tblissi, Georgia. With her Goga, they would bee today a regular family if he hadn&apos;t been arrested. Between the wedding in prison and the monthly visits, a routine sets in. Wil t...

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An ode to love and resilience

&quot;Brides&quot; is an ode to love and resilience, a captivating drama that offers a poignant story and remarkable performances, making it a compelling cinematic experience.

One of the great strengths of &quot;Brides&quot; lies in its ability to immerse us in the daily lives of the characters. Director Tamar Kajrishvili succeeds in creating an intimate and delicate atmosphere, allowing us to authentically experience the struggles of the characters. It prompts us to reflect on the human condition, specifically the living conditions of Georgian prisoners, as well as Georgian culture and politics, which are unfamiliar to me. But above all, it explores their role as single mothers on the outside. The film presents a spirit of female solidarity, as Nutsa is surrounded only by women, whether it be her family or her fellow prison visitors.

The performances by the actors are striking. The protagonists are convincing in their roles because they are realistic. Beyond the political message, it is evident that this film has a personal significance for the director. It is undeniably raw and heavy, yet it transforms into strength. The subtle expressions and delicate gestures of the actors capture the essence of their characters, adding an extra layer of emotion to this already heartbreaking story, without going overboard. They don&apos;t speak much, but the beauty lies in the unspoken words-it is touching. I wonder if this is a deliberate choice, as each character remains mysterious and elusive, so we don&apos;t truly become attached to them. It allows our imagination to work, but the ending is abrupt, leaving us in confusion.

The visual execution of &quot;Brides&quot; is polished, particularly in its neutral color palette. There is a picturesque and evocative backdrop for this love and survival story that veers towards docu-fiction. However, the landscapes of Georgia are not utilized in a way that creates a true immersion for the viewer. Without seeking information about the film, I had no way of guessing that it was Georgian, and there is a lack of context. Tamar Kajrishvili&apos;s &quot;Brides&quot; deserves the awards it has received, such as the Audience Award at the Berlinale, and deserves even more success. It is sure to captivate the hearts of audiences. This work transcends cultural boundaries and reminds us of the importance of love and resilience in the darkest moments of our lives.

"Brides" is an ode to love and resilience, a captivating drama that offers a poignant story and remarkable performances, making it a compelling cinematic experience.

One of the great strengths of "Brides" lies in its ability to immerse us in the daily lives of the characters. Director Tamar Kajrishvili succeeds in creating an intimate and delicate atmosphere, allowing us to authentically experience the struggles of the characters. It prompts us to reflect on the human condition, specifically the living conditions of Georgian prisoners, as well as Georgian culture and politics, which are unfamiliar to me. But above all, it explores their role as single mothers on the outside. The film presents a spirit of female solidarity, as Nutsa is surrounded only by women, whether it be her family or her fellow prison visitors.

The performances by the actors are striking. The protagonists are convincing in their roles because they are realistic. Beyond the political message, it is evident that this film has a personal significance for the director. It is undeniably raw and heavy, yet it transforms into strength. The subtle expressions and delicate gestures of the actors capture the essence of their characters, adding an extra layer of emotion to this already heartbreaking story, without going overboard. They don't speak much, but the beauty lies in the unspoken words-it is touching. I wonder if this is a deliberate choice, as each character remains mysterious and elusive, so we don't truly become attached to them. It allows our imagination to work, but the ending is abrupt, leaving us in confusion.

The visual execution of "Brides" is polished, particularly in its neutral color palette. There is a picturesque and evocative backdrop for this love and survival story that veers towards docu-fiction. However, the landscapes of Georgia are not utilized in a way that creates a true immersion for the viewer. Without seeking information about the film, I had no way of guessing that it was Georgian, and there is a lack of context. Tamar Kajrishvili's "Brides" deserves the awards it has received, such as the Audience Award at the Berlinale, and deserves even more success. It is sure to captivate the hearts of audiences. This work transcends cultural boundaries and reminds us of the importance of love and resilience in the darkest moments of our lives.

Nutsa lives with her two small children in suburb of Tblissi, Georgia. With her Goga, they would bee today a regular family if he hadn't been arrested. Between the wedding in prison and the monthly visits, a routine sets in. Wil they be able to overcome this double reality?

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