Blessings, Bluffs, and a Blood-Warm Market for Faith

Pae Arak Amornsupasiri in In Youth We Trust (2024)

Sanya Kunakorn, Jump Pisitpon Ekpongpisit, Korranid Laosubinprasoet, Atitaya Tribudarak, and Itkron Pungkiatrussamee in The Cliche (2024)

Putthipong Assaratanakul and Krit Amnuaydechkorn in The Red Envelope (2025)

Neennara Boonnithipaisit, Fatima Dechawaleekul, and Fairy Kirana Pipityakorn in Flat Girls (2025)

Palang Rocksilp, Natara Nopparatayapon, and Jane Methika Jiranorraphat in Mad Unicorn (2025)

Mario Maurer, Pae Arak Amornsupasiri, Sukollawat Kanarot, Phakhin Khamwilaisak, Mashannoad Suvalmas, and Todsapol Maisuk in 4 Tigers (2025)

Jirayu Tangsrisuk, Nichaphat Chatchaipholrat, Phiravich Attachitsataporn, and Thaneth Warakulnukroh in Tha Rae: The Exorcist (2025)

Sutthirak Subvijitra, Ukrit Willi Brod Don Gabriel, Tat Na Takuatung, Foei Patara Eksangkul, Benjamin Joseph Varney, Sirat Intarachote, and Todsapol Maisuk in 4 Kings 2 (2023)

Nappon Gomarachun, Jaonaay Jinjett Wattanasin, Korranid Laosubinprasoet, Itkron Pungkiatrussamee, and Chulachak Chakrabongse in The Stone (2025)

Jaonaay Jinjett Wattanasin in The Stone (2025)

Chulachak Chakrabongse in The Stone (2025)

Nappon Gomarachun and Nantawooti Boonrapsap in The Stone (2025)

Sithi Tesprateep, Itkron Pungkiatrussamee, Issara Nadee, and Ronnasit Nilsu in The Stone (2025)

Korranid Laosubinprasoet in The Stone (2025)

Jaonaay Jinjett Wattanasin

Korranid Laosubinprasoet

Itkron Pungkiatrussamee

Pae Arak Amornsupasiri

Kittikun Chattongkum

Paween Purijitpanya

WELCOME TO THE WORLD OF BE(LIE)VING. When Ake desperately needs money to pay for his gravely ill father&apos;s medical treatment, he takes his father&apos;s sacred amulet to be appraised by the renowned expert Seng Paradise.

Vuthipong Sukhanindr

The Stone

What if a son&apos;s last shot at saving his father required outsmarting a cartel of con artists who trade in devotion as if it were gold? The Stone turns Thailand&apos;s amulet underworld into a pressure-cooker caper, following Ake as he takes his father&apos;s sacred piece to the amulet bazaar-only to be sucked into a rigged game where &quot;authentic&quot; and &quot;fake&quot; shift with whoever holds the loupe.

Detailed and analytical, the film&apos;s strongest card is world-building: the bustle of stalls, coded jargon, and gladiatorial &quot;appraisals&quot; feel lived-in, framing belief as both commodity and trap. When the script leans into this moral economy-how scarcity, debt, and filial duty distort truth-it bites. The pacing is lively, and the staging of appraisal showdowns has a crisp, gamesmanship rhythm. Yet character work can be thin: Ake&apos;s arc hits familiar beats of naïveté-to-nerve, and several colorful fixers read more as archetypes than people. Direction (Arak Amornsupsiri with Vuthipong Sukhanindr) keeps the tone slick and pop-noir, though the third act opts for tidy reversals over the grimmer ambiguities the premise invites.

As a calling card for Thai commercial cinema abroad, it travels well-the amulet hustle is eye-catching cultural specificity, and the film&apos;s festival play (including New York Asian Film Festival) signals broader appeal. Still, the con-movie mechanics outshine its emotional ledger; when belief collides with survival, the film often chooses the clever reveal over the lasting bruise.

Rating: 6/10 - stylish, energetic, and culturally distinctive; a sharp look at faith for sale that entertains, even if its heart doesn&apos;t cut as deep as its hook.

Trailer - [OV]

https://m.media-amazon.com/images/M/MV5BNWQ3NWZmYTAtNGFhYy00ZDg1LTk0MDMtNDQ2ZmFmY2YyZDViXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

What if a son's last shot at saving his father required outsmarting a cartel of con artists who trade in devotion as if it were gold? The Stone turns Thailand's amulet underworld into a pressure-cooker caper, following Ake as he takes his father's sacred piece to the amulet bazaar-only to be sucked into a rigged game where "authentic" and "fake" shift with whoever holds the loupe.

Detailed and analytical, the film's strongest card is world-building: the bustle of stalls, coded jargon, and gladiatorial "appraisals" feel lived-in, framing belief as both commodity and trap. When the script leans into this moral economy-how scarcity, debt, and filial duty distort truth-it bites. The pacing is lively, and the staging of appraisal showdowns has a crisp, gamesmanship rhythm. Yet character work can be thin: Ake's arc hits familiar beats of naïveté-to-nerve, and several colorful fixers read more as archetypes than people. Direction (Arak Amornsupsiri with Vuthipong Sukhanindr) keeps the tone slick and pop-noir, though the third act opts for tidy reversals over the grimmer ambiguities the premise invites.

As a calling card for Thai commercial cinema abroad, it travels well-the amulet hustle is eye-catching cultural specificity, and the film's festival play (including New York Asian Film Festival) signals broader appeal. Still, the con-movie mechanics outshine its emotional ledger; when belief collides with survival, the film often chooses the clever reveal over the lasting bruise.

Rating: 6/10 - stylish, energetic, and culturally distinctive; a sharp look at faith for sale that entertains, even if its heart doesn't cut as deep as its hook.

WELCOME TO THE WORLD OF BE(LIE)VING. When Ake desperately needs money to pay for his gravely ill father's medical treatment, he takes his father's sacred amulet to be appraised by the renowned expert Seng Paradise.

bappamtv

The Stone

🎭 Top Cast

💰 Box Office

🎬 Technical Specs

🎯 Categories

⭐ Featured Review

🎬 More Like This

📖 Synopsis