Christoph Clark

Richard Langin

Roberto Malone

Sex à porter

Opulence and hedonism

Under the direction of the prolific Italian filmmaker Mario Bianchi, &quot;Sex à porter&quot; unfolds as a narrative that intertwines explicit eroticism with the superficial glamour of the high fashion industry.

The story dives into the dynamics of power and desire simmering behind the couture runways, following a group of models, photographers, and designers whose professional ambitions are constantly overwhelmed by their carnal impulses.

Throughout the film, Bianchi explores the notion that in the world of prêt-à-porter, bodies do not merely wear luxury garments but serve as objects of exchange and pleasure. Unlike many contemporary productions of its era, the director attempts to imbue the film with a patina of visual sophistication, emulating the glossy aesthetic of fashion magazines.

The plot is sustained by the rivalries between the protagonists, who wield their sexuality as a strategic tool for social climbing and dominance within the competitive circles of European fashion, all while Bianchi maintains his characteristic late-nineties style through choreographed encounters set in opulent and hedonist environments.

Under the direction of the prolific Italian filmmaker Mario Bianchi, "Sex à porter" unfolds as a narrative that intertwines explicit eroticism with the superficial glamour of the high fashion industry.

The story dives into the dynamics of power and desire simmering behind the couture runways, following a group of models, photographers, and designers whose professional ambitions are constantly overwhelmed by their carnal impulses.

Throughout the film, Bianchi explores the notion that in the world of prêt-à-porter, bodies do not merely wear luxury garments but serve as objects of exchange and pleasure. Unlike many contemporary productions of its era, the director attempts to imbue the film with a patina of visual sophistication, emulating the glossy aesthetic of fashion magazines.

The plot is sustained by the rivalries between the protagonists, who wield their sexuality as a strategic tool for social climbing and dominance within the competitive circles of European fashion, all while Bianchi maintains his characteristic late-nineties style through choreographed encounters set in opulent and hedonist environments.

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Sex à porter

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