Misericorde
In the Middle Ages a misericorde was a weapon used to put a wounded knight out of his misery. As a theological term, it refers to forgiveness and compassion. In French it has been used as an invocation, notably in Samuel Beckett's Waiting for Godot: "Christ have mercy on us!" That there may be no one listening (or arriving) remains a central anguish, felt in the depression, addiction and other disorders, that are normal responses to increasingly abnormal culture. This film strikes the chord of even deeper anxiety, moving through a dreamscape of distorted mirrors, fluctuating boundaries, and uncertain identity. A man fractured in narcissistic multiplications, a woman overtaken by sorrow and grief, are lost both to themselves and to each other. Yet there is a beauty to their shared ordeal, a nature pulsing with possibilities as near and intimate as they seem out of reach. It suggests the accord that comes with awareness, the passion that springs from despair.
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In the Middle Ages a misericorde was a weapon used to put a wounded knight out of his misery. As a theological term, it refers to forgiveness and compassion. In French it has been used as an invocation, notably in Samuel Beckett's Waiting for Godot: "Christ have mercy on us!" That there may be no one listening (or arriving) remains a central anguish, felt in the depression, addiction and other disorders, that are normal responses to increasingly abnormal culture. This film strikes the chord of even deeper anxiety, moving through a dreamscape of distorted mirrors, fluctuating boundaries, and uncertain identity. A man fractured in narcissistic multiplications, a woman overtaken by sorrow and grief, are lost both to themselves and to each other. Yet there is a beauty to their shared ordeal, a nature pulsing with possibilities as near and intimate as they seem out of reach. It suggests the accord that comes with awareness, the passion that springs from despair.