Ron Rifkin in Law & Order: Special Victims Unit (1999)

By the way, keep showing Carisi the ropes. It's really helping.

That's like my mother telling me I'm really the only that can mop floors, cause she didn't want to do it.

Dana Wheeler-Nicholson and Stevie Lynn Jones in Law & Order: Special Victims Unit (1999)

Dana Wheeler-Nicholson in Law & Order: Special Victims Unit (1999)

Mariska Hargitay, Ron Rifkin, Dana Wheeler-Nicholson, and Kelli Giddish in Law & Order: Special Victims Unit (1999)

Ron Rifkin, Dana Wheeler-Nicholson, and Stevie Lynn Jones in Law & Order: Special Victims Unit (1999)

While investigating the erratic behavior of a former teen actress, SVU discovers that she may have been the victim of sexual abuse by her former producer.

Producer&apos;s Backend

Teen Queen Mess

Before writing and airing this episode of SVU I&apos;m sure the lawyers were consulted and the producers and NBC were told that Lindsay Lohan was enough of a public figure that the libel&amp;slander laws were not in play here. Or that some of what was said here about character Tensley Evans is all quite true. 

This show brings Danny Pino back from being a uniform cop with his handling of a traffic arrest of a drunken Stevie Lynn Jones former teen starlet who was already on probation. Her accusation of him coming on to her is belied by the presence of a body cam. Those things might actually clear police of bogus charges. Anyway his by the book handling gets him back to the squad where Mariska Hargitay is short handed.

So why is Tensley Evans such a mess? For one thing she has Dana Wheeler -Nicholson as a mother who pushed her in front of eager producers and agents, one of them being a John Hughes like figure who likes them young and tender. She also witnessed a possible murder at his home in Los Angeles.

Takes a bit of creativity to get this guy, but the squad has to yield this one up to another jurisdiction. But the job gets done.

Not that it helps Stevie Lynn Jones. Or will Lindsay Lohan ever stop her downward spiral?

Law &amp; Order: Special Victims Unit: Producer&apos;s Backend

https://m.media-amazon.com/images/M/MV5BNzQ2NzgxODctZjgyNS00MzIzLTgxODktY2NlMjhjODM3ODlhXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_.jpg

Before writing and airing this episode of SVU I'm sure the lawyers were consulted and the producers and NBC were told that Lindsay Lohan was enough of a public figure that the libel&slander laws were not in play here. Or that some of what was said here about character Tensley Evans is all quite true. 

This show brings Danny Pino back from being a uniform cop with his handling of a traffic arrest of a drunken Stevie Lynn Jones former teen starlet who was already on probation. Her accusation of him coming on to her is belied by the presence of a body cam. Those things might actually clear police of bogus charges. Anyway his by the book handling gets him back to the squad where Mariska Hargitay is short handed.

So why is Tensley Evans such a mess? For one thing she has Dana Wheeler -Nicholson as a mother who pushed her in front of eager producers and agents, one of them being a John Hughes like figure who likes them young and tender. She also witnessed a possible murder at his home in Los Angeles.

Takes a bit of creativity to get this guy, but the squad has to yield this one up to another jurisdiction. But the job gets done.

Not that it helps Stevie Lynn Jones. Or will Lindsay Lohan ever stop her downward spiral?

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