Cheesy and predictable, but earnestly enjoyable and warmhearted

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Danielle C. Ryan, Trevor Donovan, and Galadriel Stineman in Runaway Romance (2018)

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Danielle C. Ryan, Brian Herzlinger, and Trevor Donovan in Runaway Romance (2018)

Danielle C. Ryan and Trevor Donovan in Runaway Romance (2018)

Danielle C. Ryan

Trevor Donovan

Galadriel Stineman

Miralee Ferrell

Emily Golden

John Eliot Jordan

A reality TV star leaves Hollywood and finds herself in Amish country where she must decide between staying in her newfound reality or returning to her old one.

Brian Herzlinger

Runaway Romance

On the one hand, I suppose it&apos;s a great credit to the hair and makeup artists that as the picture begins (until she changes her look), star Danielle C. Ryan is completely unrecognizable; once her character&apos;s name was spoken I had to check against the credits to confirm that, yes, that&apos;s her in the lead. On the other hand, the exposition in those first 12-13 minutes is preposterous beyond all compare; the line between fiction and reality is blurred, to the point that I don&apos;t think either the characters or the writers know which is which, and I&apos;ve never been more glad that I&apos;ve never tarried with &quot;reality television.&quot; At least that baloney provides foundation for the plot in a movie whose very premise is outrageous - but it&apos;s safe to say that one&apos;s suspension of disbelief must be undefeated in combat to even think about engaging with this title, for the very notion is as contrived as a TV movie romance could be. &apos;Runaway romance&apos; is An Experience, to say the least.

On the bad side, the plot development and scene writing tends to feel forced, especially when it comes to protagonist Ann readily falling in love with her new surroundings and even more immediately with a new beau. Moreover, a few sparing instances play out with an artificiality that has scarcely been seen in cinema since the very early days of the silent era, where the stilted direction and emphatic separation of shots and scenes lent to a heightened sense of the course of events being staged. One might also note that the narrative is familiar in ways both general and specific, for Ann&apos;s time in the countryside will change her, and she will change the people around her. This is, indeed, a formulaic and predictable TV romance, and the only surprises to be had are in just how far-fetched some particular moments may be.

Then again - on the good side, &apos;Runaway romance&apos; only ever intends to be sweet and charming, and I&apos;d be lying if I said it wasn&apos;t that. Yes, the plot is light, and in the broad strokes nothing we haven&apos;t seen before. Even at its worst, however, it can claim a welcome earnestness that&apos;s refreshing compared to most big budget features of this or any kind. That includes chief stars Ryan and Trevor Donovan, and in supporting parts, Grace Wilson and Galadriel Stineman, fully embracing the warmheartedness; Ryan especially I&apos;ve seen before elsewhere, and here as before she shows how capable she is. Other cast members are just as swell in bringing their characters to life, and the story, not least Ken Strunk as the overbearing bishop. Furthermore, I think this is well made in all other regards, with strong direction, cinematography, production design, art direction, costume design, and yes, hair and makeup work. The film may be a fluff piece, but it&apos;s a solid one - and honestly quite enjoyable such as it is, with just enough drama to make the plot modestly compelling, and a cheekily satisfying ending.

Predictable, cheesy, saccharine, and not exactly full of substance - yet sincere, lighthearted, cozy, and entertaining for those who can appreciate the flavors. There&apos;s hardly any need to go out of your way for this, and it&apos;s probably most recommendable just for those who are fans of the cast or the kitschy genre to which it belongs. I&apos;m pleasantly surprised, however, at how much I actually like &apos;Runaway romance,&apos; and that&apos;s saying something since I didn&apos;t expect much. Save it for a day when you need something to feel good, and just soak in the ham-handed bliss.

On the one hand, I suppose it's a great credit to the hair and makeup artists that as the picture begins (until she changes her look), star Danielle C. Ryan is completely unrecognizable; once her character's name was spoken I had to check against the credits to confirm that, yes, that's her in the lead. On the other hand, the exposition in those first 12-13 minutes is preposterous beyond all compare; the line between fiction and reality is blurred, to the point that I don't think either the characters or the writers know which is which, and I've never been more glad that I've never tarried with "reality television." At least that baloney provides foundation for the plot in a movie whose very premise is outrageous - but it's safe to say that one's suspension of disbelief must be undefeated in combat to even think about engaging with this title, for the very notion is as contrived as a TV movie romance could be. 'Runaway romance' is An Experience, to say the least.

On the bad side, the plot development and scene writing tends to feel forced, especially when it comes to protagonist Ann readily falling in love with her new surroundings and even more immediately with a new beau. Moreover, a few sparing instances play out with an artificiality that has scarcely been seen in cinema since the very early days of the silent era, where the stilted direction and emphatic separation of shots and scenes lent to a heightened sense of the course of events being staged. One might also note that the narrative is familiar in ways both general and specific, for Ann's time in the countryside will change her, and she will change the people around her. This is, indeed, a formulaic and predictable TV romance, and the only surprises to be had are in just how far-fetched some particular moments may be.

Then again - on the good side, 'Runaway romance' only ever intends to be sweet and charming, and I'd be lying if I said it wasn't that. Yes, the plot is light, and in the broad strokes nothing we haven't seen before. Even at its worst, however, it can claim a welcome earnestness that's refreshing compared to most big budget features of this or any kind. That includes chief stars Ryan and Trevor Donovan, and in supporting parts, Grace Wilson and Galadriel Stineman, fully embracing the warmheartedness; Ryan especially I've seen before elsewhere, and here as before she shows how capable she is. Other cast members are just as swell in bringing their characters to life, and the story, not least Ken Strunk as the overbearing bishop. Furthermore, I think this is well made in all other regards, with strong direction, cinematography, production design, art direction, costume design, and yes, hair and makeup work. The film may be a fluff piece, but it's a solid one - and honestly quite enjoyable such as it is, with just enough drama to make the plot modestly compelling, and a cheekily satisfying ending.

Predictable, cheesy, saccharine, and not exactly full of substance - yet sincere, lighthearted, cozy, and entertaining for those who can appreciate the flavors. There's hardly any need to go out of your way for this, and it's probably most recommendable just for those who are fans of the cast or the kitschy genre to which it belongs. I'm pleasantly surprised, however, at how much I actually like 'Runaway romance,' and that's saying something since I didn't expect much. Save it for a day when you need something to feel good, and just soak in the ham-handed bliss.

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Runaway Romance

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